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scles of the mouth, which had been the last attacked, gradually resumed their normal condition. The patient appeared altogether more easy, the writhings subsided; presently, as if utterly exhausted, she sank off to sleep. Harold Purling had come up post-haste from Harbridge; and when the mother opened her eyes they rested upon her son. A hurried consultation passed in whispers between the two doctors. Phillipa was present; she and the maid had not left Mrs. Purling all night. "Mother," said Harold, "you are out of all danger. Tell me--do you recollect taking anything likely to make you ill?" "Only the pills." She pointed to the family medicine--a box of which stood always by her bedside. She had some curious notion that it was her duty to show belief in the Primeval Pills, and she made a practice of swallowing two morning and night. Harold opened the box; examined the pills; finally put one into his mouth and bit it through. Bitter as gall. "They have been tampered with," he said. "These contain strychnia. You have had a narrow escape of being poisoned, dearest mother--poisoned by your own Pills!" He half smiled at the conceit. "There has been foul play, I swear. It shall be sifted to the bottom, and the guilty called to serious account." But the mystery was never solved. If Phillipa had in her heart misgivings, she kept her suspicions to herself; no one accused her; there seemed explanation for her cowed and trembling manner in Gilly's downfall and disgrace. The man himself never reappeared openly; only now and again he swooped down and robbed Phillipa of all she, possessed--the thrift of her allowance from Mrs. Purling. As for the heiress, surrounded by the real love and warm hearts of her lineal descendants, she was satisfied to eschew all further acquaintance with people of the Blue Blood. ***END OF THE PROJECT GUTENBERG EBOOK THE THIN RED LINE; AND BLUE BLOOD*** ******* This file should be named 17434.txt or 17434.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/7/4/3/17434 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Spec
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