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ut knowing why, the Triomed felt his lips pull away from his teeth in a snarl. He heard a deep, rumbling growling sound in his own throat. The biped stopped, and the Triomed could smell his sudden fear. He felt a surge of incomprehensible rage come over him--he crouched menacingly. The creature took a step closer. Another. The Triomed tensed. The creature was within reach, extending the vial. The alien could see that it was tipped with a sliver of steel. He sprang-- The weapons crashed. The alien felt the thudding impact of projectiles penetrating the brain case. In a panic he began to extrude from the pineal gland. If death overcame the host while he had rapport, he, too, would die. And if he died, Triom would die. He felt his huge body totter. There was another blast from the weapons and he sensed the projectile coming--with what seemed to be agonizing slowness to his quickened senses. It was spinning in the darkness. It struck the eye, smashed it, moved inward, along the base of the brain.... The Triomed felt one deep, searing agony that was his alone as the bullet crushed him. The hot metal acrid touch was the last thing he knew before death came.... * * * * * The policemen stood about in a circle, staring down in mixed awe and relief at the huge body on the roof. "I've seen him a dozen times in the park," one said. "He always seemed so--so peaceable." He shook his head. "What in hell do you suppose came over him?" The keeper looked up from where he knelt over the deep, still chest, bloody and riddled with bullets. "It happens like this sometimes," he said. "You can never tell about gorillas." End of the Project Gutenberg EBook of The Invader, by Alfred Coppel *** END OF THIS PROJECT GUTENBERG EBOOK THE INVADER *** ***** This file should be named 32684.txt or 32684.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/6/8/32684/ Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set
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