FREE BOOKS

Author's List




PREV.   NEXT  
|<   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40  
41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   >>   >|  
ical tone, "Hold, my poor Cocotte!" His manner of thanking in advance is likewise amusing. The expression of his eyes and the pose of his head are all in accord with the tone of his exclamation. When he tastes the plum he utters a series of _ahs_, and produces a kind of warble by prolonging some of his notes and shortening up others. We find in these examples, without doubt, that the articulate voice makes us better able to judge the meaning of the impressions that are moving the animal than inarticulate cries, or merely musical sounds. When Jaco met a child for whom he had a great affection, he would promenade on his perch, or turn the wheel, spreading out his tail and ruffling the feathers of his head, while his eyes grew red with excitement if the child was too slow in bestowing the accustomed caress. Then he would stop, bend down his head, and, looking at his friend, say pleasantly, "Jaco," in a tone and with a manner quite in contrast with the pronunciation of the same word when he was hungry. It is not the word he speaks that is of interest; he might have been taught another, and it would have been the same; but it is the tone. In this case, too, the articulation gives an easier clew to the meaning the bird seeks to express, having a meaning according to the manner of pronouncing it, than any isolated, simply musical sound, like the song of the nightingale, canary bird, and warbler. This became evident to me, not from observing animals for a few moments without seeing them again, but from studying them continuously. Jaco did not like solitude, and was talkative and fond of being caressed, like all of his kind. One day, when there was no one in the country house, all having gone out into the garden or the fields, I heard him saying over what few words he knew, in different inflections. I went quietly into the room where he was, without being seen; but he heard my steps, although I walked in very cautiously, hoping to surprise him. He ceased his chatter, listened, and, after a silence, pronounced "Jaco" in a low tone, drawing out the end of the word. He listened again, and repeated the word in the same tone; then, after another silence, repeated it with a rise of the voice. I continued observing him, and, as he heard no one, he raised his tone gradually, repeating the same word, and ended at last with a genuine cry of distress. The people ran in from without, supposing something had happened to him. He then repe
PREV.   NEXT  
|<   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40  
41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   >>   >|  



Top keywords:
manner
 

meaning

 
musical
 

observing

 
silence
 
listened
 
repeated
 

animals

 

distress

 

genuine


moments

 

solitude

 

talkative

 

continuously

 

studying

 

repeating

 

simply

 

happened

 

isolated

 

pronouncing


nightingale

 

people

 

evident

 

warbler

 
supposing
 
canary
 

quietly

 

chatter

 

inflections

 

pronounced


cautiously

 
hoping
 
walked
 

ceased

 

drawing

 

country

 

raised

 

caressed

 

surprise

 
continued

garden
 
fields
 

gradually

 

articulate

 
examples
 

sounds

 

impressions

 

moving

 

animal

 
inarticulate