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The Project Gutenberg EBook of Blackwood's Edinburgh Magazine--Vol. 54, No. 333, July 1843, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Blackwood's Edinburgh Magazine--Vol. 54, No. 333, July 1843 Author: Various Release Date: December 22, 2004 [EBook #14413] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK BLACKWOOD'S MAGAZINE *** Produced by Jon Ingram, Brendan OConnor, the Online Distributed Proofreading Team and The Internet Library of Early Journals BLACKWOOD'S EDINBURGH MAGAZINE No. CCCXXXIII. JULY, 1843. VOL. LIV. CONTENTS. MARSTON; OR, THE MEMOIRS OF A STATESMAN. PART II. ENGLISH MUSIC AND ENGLISH MUSICIANS. PHILHELLENIC DRINKING-SONG. BY B. SIMMONS. THE PRAIRIE AND THE SWAMP. AN ADVENTURE IN LOUISIANA. THE ARISTOCRACY OF ENGLAND. JACK STUART'S BET ON THE DERBY, AND HOW HE PAID HIS LOSSES. SCROPE ON SALMON FISHING. THE WHIPPIAD, A SATIRICAL POEM. BY REGINALD HEBER. CHARLES EDWARD AT VERSAILLES. EARLY GREEK ROMANCES--THE ETHIOPICS OF HELIODORUS. PAST AND PRESENT, BY CARLYLE. WILLIAM BLACKWOOD & SONS, EDINBURGH AND 22, PALL-MALL, LONDON. * * * * * MARSTON; OR, THE MEMOIRS OF A STATESMAN. PART II. "Have I not in my time heard lions roar? Have I not heard the sea, puft up with wind, Rage like all angry boar chafed with sweat? Have I not heard great ordnance in the field, And heaven's artillery thunder in the skies? Have I not in the pitched battle heard Loud 'larums, neighing steeds, and trumpets clang?" SHAKSPEARE. My entertainer received me with more civility than I had expected. He was almost fashionably dressed; his grim features were smoothed into an elaborate smile; and he repeated his gratification at seeing me, in such variety of tones that I began to doubt the cordiality of my reception. But I could have no doubt of the elegance of the apartment into which I was shown. All was foreign, even to the flowers in the vases that filled the windows. A few bas-reliefs in the most finished style; a few alabasters as bright as if they had been brought at the moment from Carrara; a few paintings of the Italian ma
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