rtar contemplates and imitates the
Chinese. It was thus Castilian fashions penetrated into England; in
return, English interests crept into Spain.

One of the men in the group embarking appeared to be a chief. He had
sandals on his feet, and was bedizened with gold lace tatters and a
tinsel waistcoat, shining under his cloak like the belly of a fish.
Another pulled down over his face a huge piece of felt, cut like a
sombrero; this felt had no hole for a pipe, thus indicating the wearer
to be a man of letters.

On the principle that a man's vest is a child's cloak, the child was
wrapped over his rags in a sailor's jacket, which descended to his
knees.

By his height you would have guessed him to be a boy of ten or eleven;
his feet were bare.

The crew of the hooker was composed of a captain and two sailors.

The hooker had apparently come from Spain, and was about to return
thither. She was beyond a doubt engaged in a stealthy service from one
coast to the other.

The persons embarking in her whispered among themselves.

The whispering interchanged by these creatures was of composite
sound--now a word of Spanish, then of German, then of French, then of
Gaelic, at times of Basque. It was either a patois or a slang. They
appeared to be of all nations, and yet of the same band.

The motley group appeared to be a company of comrades, perhaps a gang of
accomplices.

The crew was probably of their brotherhood. Community of object was
visible in the embarkation.

Had there been a little more light, and if you could have looked at them
attentively, you might have perceived on these people rosaries and
scapulars half hidden under their rags; one of the semi-women mingling
in the group had a rosary almost equal for the size of its beads to that
of a dervish, and easy to recognize for an Irish one made at
Llanymthefry, which is also called Llanandriffy.

You might also have observed, had it not been so dark, a figure of Our
Lady and Child carved and gilt on the bow of the hooker. It was probably
that of the Basque Notre Dame, a sort of Panagia of the old Cantabri.
Under this image, which occupied the position of a figurehead, was a
lantern, which at this moment was not lighted--an excess of caution
which implied an extreme desire of concealment. This lantern was
evidently for two purposes. When alight it burned before the Virgin, and
at the same time illumined the sea--a beacon doing duty as a taper.

Under the bows