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I shall live to hear the decision of the court." As soon as Clara left Paris he hastened toward her and met her at Altenburg. It was a blissful reunion after a year of separation, and they went together to Berlin, where they knew the bliss of sitting once more at the piano together, playing Bach fugues. She found his genius still what it was,--"_er fantasiert himmlisch_"--but his health was in such serious condition that she was greatly frightened. Now her father proceeded to destroy every claim he may ever have had on her sympathy by his ferocity toward a daughter who had been so patient and so gentle toward him. He not only neglected her in Paris, except to write her merciless letters, but when she returned and he saw himself confronted with the lawsuit for her liberty, he offered a revision of his terms, which was in itself worse than the original. Clara describes the new offer: "I must surrender the 2,000 thalers (about $1,500) which I have saved from seven years' concerts, and give it to my brothers. "He would give back my effects and instruments, but I must later pay 1,000 thalers and give this also to my brothers. "Robert must transfer to me 8,000 thalers of his capital, the interest of which shall come to me, also the capital, in case of a separation--What a hideous thought! Robert has 12,000 thalers, and shall he give his wife two-thirds?" Robert had already given her four hundred thalers in bonds. The new terms being rejected, Wieck put everything possible in the way of a speedy termination of the lawsuit. He made it impossible for Clara to get back to Paris, as she wished, to earn more money before the marriage. He demanded that she should postpone her wedding and take a concert tour for three months with him for a consideration of six thousand thalers. Clara declined the arrangement. One day she sent her maid to the house of her father, and asked him for her winter cloak. He gave this answer to the maid: "Who then is this Mam'selle Wieck? I know two Fraeulein Wieck only; they are my two little daughters here. I know no other!" As Litzmann says: "With so shrill a dissonance ended Clara's stay at Leipzig." He compares this exile of the daughter by the father to the story of King Lear and Cordelia. But it was the blind and tyrannical old Lear of the first act, driving from his home his most loving child. On October 3d, Clara went back to Berlin to her mother. Her father moved heaven and earth to ma
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