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"wards of the government," and were not allowed off of their reservation. I told the Commissioner that the Indians were frequently off of their reservations out west, as I had a distinct remembrance of meeting them upon several occasions "on the war path," and furthermore I thought I was benefitting the Indians as well as the government, by taking them all over the United States, and giving them a correct idea of the customs, life, etc., of the pale faces, so that when they returned to their people they could make known all they had seen. After a conversation with the Secretary of the Interior, the Commissioner concluded to allow me to retain the Indians, by appointing me Indian Agent, provided I would give the necessary bonds, and pledge myself to return them in safety to their agency--which terms I agreed to. From Savannah, Georgia, having changed my route on account of the yellow fever, I jumped my entire company to Philadelphia, and at once continued on a north-eastern tour, having arranged with the well-known author and dramatist, Colonel Prentiss Ingraham, to write a play for me. The drama entitled "The Knight of the Plains, or Buffalo Bill's Best Trail," was first produced at New Haven, Conn.; it has proved a great success, and I expect to play it in England, where I purpose to go next season on a theatrical tour, having been urged to do so by my many friends abroad. After a successful tour of six weeks on the Pacific Slope, thus ending the season of 1878-79, I am at my home at North Platte, Nebraska, for the summer; and thus ends the account of my career as far as it has gone. THE END. End of the Project Gutenberg EBook of The Life of Hon. William F. Cody by William F. Cody *** END OF THIS PROJECT GUTENBERG EBOOK THE LIFE OF HON. WILLIAM F. CODY *** ***** This file should be named 10030.txt or 10030.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/0/0/3/10030/ Produced by Papeters, Mary Meehan, and the Online Distributed Proofreading Team Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms
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