nickel mines."

"Quarries for the convicts and for political prisoners of the lowest
class."

"The plantations?"

"Ah, there I crave your pardon. You are a planter, but you are English.
M. Wyndham is a planter and an owner of mines, but he is English. The
man who has done best financially in New Caledonia is an Englishman.
You, and a few others like you, French and English, are the only colony
I have. I do not rule you; you help me to rule."

"We?"

"By being on the side of justice and public morality; by dining with me,
though all too seldom; by giving me a quiet hour now and then beneath
your vines and fig-trees; and so making this uniform less burdensome
to carry. No, no, monsieur, I know you are about to say something very
gracious: but no, you shall pay your compliments to the ladies."

As they journeyed to the morning-room Hugh Tryon said: "Does M. Laflamme
still come to paint Miss Wyndham?"

"Yes; but it ends to-morrow, and then no more of that. Prisoners are
prisoners, and though Laflamme is agreeable that makes it the more
difficult."

"Why should he be treated so well, as a first-class prisoner, and others
of the Commune be so degraded here--as Mayer, for instance?"

"It is but a question of degree. He was an artist and something of a
dramatist; he was not at the Place Vendome at a certain critical moment;
he was not at Montmartre at a particular terrible time; he was not a
high officer like Mayer; he was young, with the face of a patriot. Well,
they sent Mayer to the galleys at Toulon first; then, among the worst
of the prisoners here--he was too bold, too full of speech; he had not
Laflamme's gift of silence, of pathos. Mayer works coarsely, severely
here; Laflamme grows his vegetables, idles about Ducos, swings in his
hammock, and appears at inspections the picture of docility. One day he
sent to me the picture of my wife framed in gold--here it is. Is it not
charming? The size of a franc-piece and so perfect! You know the soft
hearts of women."

"You mean that Madame Solde--"

"She persuaded me to let him come here to paint my portrait. He has done
so, and now he paints Marie Wyndham. But--"

"But?--Yes?"

"But these things have their dangers."

"Have their dangers," Hugh Tryon musingly repeated, and then added under
his breath almost, "Escape or--"

"Or something else," the Governor rather sharply interrupted; and then,
as they were entering the room, gaily continued: "Ah, here we com