rang out like
the report of a veteran's gun.
The last stanza, was greeted with loud applause, and all the auditors
arose and surrounded Amedee to offer him their congratulations.
"Why, it is superb!"
"Entirely new!"
"It will make an enormous success!"
"It is just what is needed to arouse the public!"
"Recite us something else!--something else!"
Reassured and encouraged, master of himself, he recited a popular scene
in which he had freely poured out his love for the poor people. He
next recited some of his Parisian suburban scenes, and then a series
of sonnets, entitled "Love's Hopes," inspired by his dear Maria; and
he astonished all these poets by the versatility and variety of his
inspirations.
At each new poem bravos were thundered out, and the young man's heart
expanded with joy under this warm sunshine of success. His audience vied
with each other to approach Amedee first, and to shake his hand. Alas!
some of those who were there would, later, annoy him by their low envy
and treason; but now, in the generous frankness of their youth, they
welcomed him as a master.
What an intoxicating evening! Amedee reached his home about two o'clock
in the morning, his hands burning with the last grasps, his brain and
heart intoxicated with the strong wine of praise. He walked with long
and joyful strides through the fairy scene of a beautiful moonlight, in
the fresh morning wind which made his clothes flutter and caressed his
face. He thought he even felt the breath of fame.
BOOK 3.
CHAPTER XI. SUCCESS
Success, which usually is as fickle as justice, took long strides and
doubled its stations in order to reach Amedee. The Cafe de Seville, and
the coterie of long-haired writers, were busying themselves with the
rising poet already. His suite of sonnets, published in La Guepe,
pleased some of the journalists, who reproduced them in portions
in well-distributed journals. Ten days after Amedee's meeting with
Jocquelet, the latter recited his poem "Before Sebastopol" at a
magnificent entertainment given at the Gaite for the benefit of an
illustrious actor who had become blind and reduced to poverty.
This "dramatic solemnity," to use the language of the advertisement,
began by being terribly tiresome. There was an audience present who were
accustomed to grand Parisian soirees, a blase and satiated public, who,
upon this warm evening in the suffocating theatre, were more fatigued
and satiated t
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