ring his European residence. Some one told of traveling in
India and China, and how a certain Hindu "god" who had exchanged
autographs with Mark Twain during his sojourn there was familiar with
only two other American names--George Washington and Chicago; while the
King of Siam had read but three English books--the Bible, Bryce's
American Commonwealth, and The Innocents Abroad.

We were at Thomas Nelson Page's for dinner next evening--a wonderfully
beautiful home, full of art treasures. A number of guests had been
invited. Clemens naturally led the dinner-talk, which eventually drifted
to reading. He told of Mrs. Clemens's embarrassment when Stepniak had
visited them and talked books, and asked her what her husband thought of
Balzac, Thackeray, and the others. She had been obliged to say that he
had not read them.

"'How interesting!' said Stepniak. But it wasn't interesting to Mrs.
Clemens. It was torture."

He was light-spirited and gay; but recalling Mrs. Clemens saddened him,
perhaps, for he was silent as we drove to the hotel, and after he was in
bed he said, with a weary despair which even the words do not convey:

"If I had been there a minute earlier, it is possible--it is possible
that she might have died in my arms. Sometimes I think that perhaps
there was an instant--a single instant--when she realized that she was
dying and that I was not there."

In New York I had once brought him a print of the superb "Adams
Memorial," by Saint-Gaudens--the bronze woman who sits in the still court
in the Rock Creek Cemetery at Washington.

On the morning following the Page dinner at breakfast, he said:

"Engage a carriage and we will drive out and see the Saint-Gaudens
bronze."

It was a bleak, dull December day, and as we walked down through the
avenues of the dead there was a presence of realized sorrow that seemed
exactly suited to such a visit. We entered the little inclosure of
cedars where sits the dark figure which is art's supreme expression of
the great human mystery of life and death. Instinctively we removed our
hats, and neither spoke until after we had come away. Then:

"What does he call it?" he asked.

I did not know, though I had heard applied to it that great line of
Shakespeare's--"the rest is silence."

"But that figure is not silent," he said.

And later, as we were driving home:

"It is in deep meditation on sorrowful things."

When we returned to New York he had the little print frame