and implacable foe of his kith and kin.

He stopped short and wavered for a moment, being unarmed and sharply
surprised. But the keen mountaineer's eye of Sam Folwell had picked
him out.

There was a sudden spring, a ripple in the stream of passers-by and
the sound of Sam's voice crying:

"Howdy, Cal! I'm durned glad to see ye."

And in the angles of Broadway, Fifth Avenue and Twenty-third Street
the Cumberland feudists shook hands.

XV

ROSES, RUSES AND ROMANCE

Ravenel--Ravenel, the traveller, artist and poet, threw his magazine
to the floor. Sammy Brown, broker's clerk, who sat by the window,
jumped.

"What is it, Ravvy?" he asked. "The critics been hammering your stock
down?"

"Romance is dead," said Ravenel, lightly. When Ravenel spoke lightly
he was generally serious. He picked up the magazine and fluttered its
leaves.

"Even a Philistine, like you, Sammy," said Ravenel, seriously (a tone
that insured him to be speaking lightly), "ought to understand. Now,
here is a magazine that once printed Poe and Lowell and Whitman and
Bret Harte and Du Maurier and Lanier and--well, that gives you the
idea. The current number has this literary feast to set before you:
an article on the stokers and coal bunkers of battleships, an expose
of the methods employed in making liverwurst, a continued story of a
Standard Preferred International Baking Powder deal in Wall Street,
a 'poem' on the bear that the President missed, another 'story' by
a young woman who spent a week as a spy making overalls on the East
Side, another 'fiction' story that reeks of the 'garage' and a
certain make of automobile. Of course, the title contains the words
'Cupid' and 'Chauffeur'--an article on naval strategy, illustrated
with cuts of the Spanish Armada, and the new Staten Island
ferry-boats; another story of a political boss who won the love of
a Fifth Avenue belle by blackening her eye and refusing to vote
for an iniquitous ordinance (it doesn't say whether it was in the
Street-Cleaning Department or Congress), and nineteen pages by the
editors bragging about the circulation. The whole thing, Sammy, is an
obituary on Romance."

Sammy Brown sat comfortably in the leather armchair by the open
window. His suit was a vehement brown with visible checks,
beautifully matched in shade by the ends of four cigars that his vest
pocket poorly concealed. Light tan were his shoes, gray his socks,
sky-blue his apparent linen, snowy and hig