FREE BOOKS

Author's List




PREV.   NEXT  
|<   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50  
51   >>  
e awaiting the rise of some princely master who shall establish a new dynasty. Would that we loved the ancients more and copied them less! It has been said that the Greeks were great because they never drew from the antique. The term, Abode of Vacancy, besides conveying the Taoist theory of the all-containing, involves the conception of a continued need of change in decorative motives. The tea-room is absolutely empty, except for what may be placed there temporarily to satisfy some aesthetic mood. Some special art object is brought in for the occasion, and everything else is selected and arranged to enhance the beauty of the principal theme. One cannot listen to different pieces of music at the same time, a real comprehension of the beautiful being possible only through concentration upon some central motive. Thus it will be seen that the system of decoration in our tea-rooms is opposed to that which obtains in the West, where the interior of a house is often converted into a museum. To a Japanese, accustomed to simplicity of ornamentation and frequent change of decorative method, a Western interior permanently filled with a vast array of pictures, statuary, and bric-a-brac gives the impression of mere vulgar display of riches. It calls for a mighty wealth of appreciation to enjoy the constant sight of even a masterpiece, and limitless indeed must be the capacity for artistic feeling in those who can exist day after day in the midst of such confusion of color and form as is to be often seen in the homes of Europe and America. The "Abode of the Unsymmetrical" suggests another phase of our decorative scheme. The absence of symmetry in Japanese art objects has been often commented on by Western critics. This, also, is a result of a working out through Zennism of Taoist ideals. Confucianism, with its deep-seated idea of dualism, and Northern Buddhism with its worship of a trinity, were in no way opposed to the expression of symmetry. As a matter of fact, if we study the ancient bronzes of China or the religious arts of the Tang dynasty and the Nara period, we shall recognize a constant striving after symmetry. The decoration of our classical interiors was decidedly regular in its arrangement. The Taoist and Zen conception of perfection, however, was different. The dynamic nature of their philosophy laid more stress upon the process through which perfection was sought than upon perfection itself. True beauty could be disc
PREV.   NEXT  
|<   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50  
51   >>  



Top keywords:

perfection

 

Taoist

 

decorative

 

symmetry

 

beauty

 

interior

 
conception
 

change

 

dynasty

 
opposed

constant

 

Western

 

decoration

 

Japanese

 
suggests
 

absence

 
scheme
 

objects

 

commented

 

Europe


America
 

Unsymmetrical

 

appreciation

 

wealth

 

mighty

 
vulgar
 

display

 

riches

 

masterpiece

 

limitless


feeling

 

capacity

 

artistic

 

confusion

 

Buddhism

 
interiors
 

classical

 
decidedly
 

regular

 

arrangement


striving

 
recognize
 

religious

 

period

 

dynamic

 

sought

 
process
 

nature

 
philosophy
 
stress