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e ineffaceably in the consciousness because of that cunningly studied increase in the stature of the actors, who always appear life-size in spite of their lift from level to level above the spectator. But what is the use, what _is_ the use? Am I to abandon the young and younger wisdom with which I have refrained in so many books from attempting the portrayal of any Italian, any English church, and fall into the folly, now that I am old, of trying to say again in words what one of the greatest of Spanish churches says in form, in color? Let me rather turn from that vainest endeavor to the trivialities of sight-seeing which endear the memory of monuments and make the experience of them endurable. The beautiful choir, with its walls pierced in gigantic filigree, might have been art or not, as one chose, but the three young girls who smiled and whispered with the young man near it were nature, which there could be no two minds about. They were pathetically privileged there to a moment of the free interplay of youthful interests and emotions which the Spanish convention forbids less in the churches than anywhere else. The Spanish religion is, in fact, kind to the young in many ways, and on our way to the cathedral we had paused at a shrine of the Virgin in appreciation of her friendly offices to poor girls wanting husbands; they have only to drop a pin inside the grating before her and draw a husband, tall for a large pin and short for a little one; or if they can make their offering in coin, their chances of marrying money are good. The Virgin is always ready to befriend her devotees, and in the cathedral near that beautiful choir screen she has a shrine above the stone where she alighted when she brought a chasuble to St. Ildefonso (she owed him something for his maintenance of her Immaculate Conception long before it was imagined a dogma) and left the print of her foot in the pavement. The fact is attested by the very simple yet absolute inscription: Quando la Reina del Cielo Puso los pies en el suelo, En esta piedra los puso, or as my English will have it: When the Queen of Heaven put Upon the earth her foot, She put it on this stone and left it indelible there, so that now if you thrust your finger through the grille and touch the place you get off three hundred years of purgatory: not much in the count of eternity, but still something. We saw a woman and a priest touching it as we stood by an
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