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ll the Philips and the Charleses, he can glut it there. Their suits begin almost with their steel baby clothes, and adapt themselves almost to their senile decrepitude. There is the horse-litter in which the great emperor was borne to battle, and there is the sword which Isabella the great queen wore; and I liked looking at the lanterns and the flags of the Turkish galleys from the mighty sea-fight cf Lepanto, and the many other trophies won from the Turks. The pavilion of Francis I. taken at Pavia was of no secondary interest, and everywhere was personal and national history told in the weapons and the armor of those who made the history. Perhaps some time the peoples will gather into museums the pens and pencils and chisels of authors and artists, and the old caps and gowns they wore, or the chairs they sat in at their work, or the pianos and violoncellos of famous musicians, or the planes of surpassing carpenters, or the hammers of eminent ironworkers; but these things will never be so picturesque as the equipments with which the military heroes saved their own lives or took others'. We who have never done either must not be unreasonable or impatient. It will be many a long century yet before we are appreciated at the value we now set upon ourselves. In the mean while we do not have such a bad time, and we are not so easily forgotten as some of those princes and warriors. XI One of the first errors of our search for the Archaeological Museum, promoted by the mistaken kindness of people we asked the way, found us in the Academy of Fine Arts, where in the company of a fat and flabby Rubens (Susanna, of course, and those filthy Elders) we chanced on a portrait of Goya by himself: a fine head most takingly shrewd. But there was another portrait by him, of the ridiculous Godoy, Prince of the Peace, a sort of handsome, foolish fleshy George Fourthish person looking his character and history: one of the most incredible parasites who ever fattened on a nation. This impossible creature, hated more than feared, and despised more than hated, who misruled a generous people for twenty-five years, throughout the most heroic period of their annals, the low-born paramour of their queen and the beloved friend of the king her husband, who honored and trusted him with the most pathetic single-hearted and simple-minded devotion, could not look all that he was and was not; but in this portrait by Goya he suggested his unutterab
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