hich all ought to be
prepared to meet, must eventually close their earthly career.
Thus, while the guests were permitted, and even encouraged, to indulge
in conviviality, the pleasures of the table, and the mirth so
congenial to their lively disposition, they were exhorted to put a
certain degree of restraint upon their conduct; and though this
sentiment was perverted by other people, and used as an incentive to
present excesses, it was perfectly consistent with the ideas of the
Egyptians to be reminded that this life was only a lodging, or "inn"
on their way, and that their existence here was the preparation for a
future state.
"The ungodly," too, of Solomon's time, thus expressed themselves: "Our
life is short and tedious, and in the death of a man there is no
remedy; neither was there any man known to have returned from the
grave. For we are born at all adventure, and we shall be hereafter as
though we had never been, ... come on, therefore, let us enjoy the
good things that are present, ... let us fill ourselves with costly
wine and ointments; and let no flower of the spring pass by us; let us
crown ourselves with rosebuds, before they be withered; let none of us
go without his part of our voluptuousness; let us leave tokens of our
joyfulness in every place."
But even if the Egyptians, like other men, neglected a good warning,
the original object of it was praiseworthy; and Plutarch expressly
states that it was intended to convey a moral lesson. The idea of
death had nothing revolting to them; and so little did the Egyptians
object to have it brought before them, that they even introduced the
mummy of a deceased relative at their parties, and placed it at table,
as one of the guests; a fact which is recorded by Lucian, in his
"Essay on Grief," and of which he declares himself to have been an
eye-witness.
After dinner, music and singing were resumed; hired men and women
displayed feats of agility; swinging each other round by the hand;
throwing up and catching the ball; or flinging themselves round
backwards head-over-heels, in imitation of a wheel; which was usually
a performance of women. They also stood on each other's backs, and
made a somersault from that position; and a necklace, or other reward,
was given to the most successful tumbler.
[Page Decoration]
[Page Decoration]
EGYPTIAN MUSIC AND ENTERTAINMENTS.
Though impossible for us now to form any notion of the character or
style o
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