ed by Dr Hugo Riemann.
A list of his voluminous compositions may be found in Eitner's _Quellen
Lexikon_, and a critical account of them is given in Bitter's _C. P. E. und
W. F. Bach und deren Bruder_ (2 vols., Berlin, 1868), a mine of valuable
though ill-arranged information.
Four more of Johann Sebastian Bach's sons grew to manhood and became
musicians. The eldest of them, WILHELM FRIEDERMANN BACH (1710-1784) was by
common repute the most gifted; a famous organist, a famous improvisor and a
complete master of counterpoint. But, unlike the rest of the family, he was
a man of idle and dissolute habits, whose career was little more than a
series of wasted opportunities. Educated at Leipzig, he was appointed in
1733 organist of the Sophienkirche at Dresden, and in 1747 became musical
director of the Liebfrauenkirche at Halle. The latter office he was
compelled to resign in 1764, and thenceforward he led a wandering life
until, on the 1st of July 1784, he died in great poverty at Berlin. His
compositions, very few of which were printed, include many church cantatas
and instrumental works, of which the most notable are the fugues,
polonaises and fantasias for clavier, and an interesting sestet for
strings, clarinet and horns. Several of his manuscripts are preserved in
the Royal library at Berlin; and a complete list of his works, so far as
they are known, may be found in Eitner's _Quellen Lexikon_.
The fourth son, JOHANN GOTTFRIED BERNHARD BACH (1715-1739) was, like his
elder brothers, born at Weimar and educated at Leipzig. From 1735 to 1738
he held successively the organistships at Muehlhausen and Sangerhausen; in
1738 he threw up his appointment and went to study law at Jena; in 1739 he
died, aged 24.
JOHANN CHRISTOPH FRIEDRICH BACH (1732-1795), the ninth son, was born at
Leipzig, studied at the Thomasschule and the university, and in 1750 was
appointed _Kapellmeister_ at Bueckeburg. He was an industrious composer,
especially of church-music and opera, whose work reflects no discredit on
the family name.
JOHANN CHRISTIAN BACH (1735-1782), the eleventh son, was born at Leipzig,
and on the death of his father in 1750 became the pupil of his brother
Emanuel at Berlin. In 1754 he went to Italy where he studied under Padre
Martini, and from 1760 to 1762 held the post of organist at Milan
cathedral, for which he wrote two Masses, a _Requiem_, a _Te Deum_ and
other works. Having also gained some reputation as a compose
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