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pted it, and it may be read to-day upon his tomb in the cathedral at Seville. The time-honoured tradition has evidently transferred to the father the legend adopted, if not originally devised, by his son. [Footnote 617: _Vita del Ammiraglio_, cap. cvii. This is unquestionably a gloss of the translator Ulloa. Cf. Harrisse, _Christophe Colomb_, tom. ii. pp. 177-179.] [Illustration: Arms.] But why is this mere question of heraldry a matter of importance for the historian? Simply because it furnishes one of the most striking among many illustrations of the fact that at no time during the life of Columbus, nor for some years after his death, did anybody use the phrase "New World" with conscious reference to _his_ discoveries. At the time of his death their true significance had not yet begun to dawn upon the mind of any voyager or any writer. It was supposed that he had found a new route to the Indies by sailing west, and that in the course of this achievement he had discovered some new islands and a bit or bits of Terra Firma of more or less doubtful commercial value. To group these items of discovery into an organic whole, and to ascertain that they belonged to a whole quite distinct from the Old World, required the work of many other discoverers, companions and successors to Columbus. In the following chapter I shall endeavour to show how the conception of the New World was thus originated and at length became developed into the form with which we are now familiar. [Illustration: Sketch of Toscanelli's map, sent to Portugal in 1474, and used by Columbus in his first voyage across the Atlantic.] [Illustration: Claudius Ptolemy's world, cir. A. D. 150.] [Illustration: John Fiske.] End of the Project Gutenberg EBook of The Discovery of America Vol. 1 (of 2), by John Fiske *** END OF THIS PROJECT GUTENBERG EBOOK THE DISCOVERY OF AMERICA *** ***** This file should be named 27253.txt or 27253.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/2/5/27253/ Produced by Christine P. Travers and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it
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