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Project Gutenberg's The De Coverley Papers, by Joseph Addison and Others This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The De Coverley Papers From 'The Spectator' Author: Joseph Addison and Others Editor: Joseph H. Meek Release Date: February 22, 2007 [EBook #20648] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE DE COVERLEY PAPERS *** Produced by Malcolm Farmer, Louise Pryor and the Online Distributed Proofreading Team at http://www.pgdp.net _The_ KINGS TREASURIES OF LITERATURE GENERAL EDITOR SIR A. T. QUILLER COUCH LONDON: J. M. DENT & SONS LTD [Illustration: J. Addison.] _THE_ DE COVERLEY PAPERS _FROM_ _'THE SPECTATOR'_ EDITED _BY_ JOSEPH MEEK _M.A._ All rights reserved by J. M. DENT & SONS LTD Aldine House . Bedford Street . London Made in Great Britain at The Aldine Press . Letchworth . Herts First published in this edition 1920 Last reprinted 1955 INTRODUCTION No character in our literature, not even Mr. Pickwick, has more endeared himself to successive generations of readers than Addison's Sir Roger de Coverley: there are many figures in drama and fiction of whom we feel that they are in a way personal friends of our own, that once introduced to us they remain a permanent part of our little world. It is the abiding glory of Dickens, it is one of Shakespeare's abiding glories, to have created many such: but we look to find these characters in the novel or the play: the essay by virtue of its limitations of space is unsuited for character-studies, and even in the subject of our present reading the difficulty of hunting the various Coverley Essays down in the great number of _Spectator_ Papers is some small drawback. But here before the birth of the modern English novel we have a full-length portrait of such a character as we have described, in addition to a number of other more sketchy but still convincing delineations of English types. We are brought into the society of a fine old-fashioned country gentleman, simple, generous, and upright, with just those touches of whimsicality and those lovable faults which
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