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nly is this he is far worse than the _Buffoon_, since they study to _delight_, this only to _offend_; they to make _merry_, but this onely to make you _mad_, whence wo be t' ye of he discovers and _imperfection_ or _fault_ in you, for he never findes a _breach_ but he makes a _hole_ of it; nor a _hole_ but he _tugs_ at it so long till he tear it quite; giving you for reason of his _incivility_, because (forsooth) _it troubled you_, which would make any civil man cease troubling you. So he wears his _wit_ as _Bravo's_ do their swords, to mischief and offend others, not as _Gentlemen_ to defend themselves: and tis _crime_ in him, what is _ornament_ in others; he being onely a _wit_ at that, at which a good _wit_ is a _fool_. Especially he triumphs over your modest men; and when he meets with a _simple body_, passes for a _wit_, but a _wit_ indeed makes a _simplician_ of him; so goes he persecuting others till some one or other at last (as _chollerick_ as he is _abusive) cudgel_ him for his pains; when he goes _grumbling_ away in a mighty _choler_, saying, _They understand not jest_, when indeed tis rather _he_. * * * * * THE ADVENTURER. _VOLUME THE FOURTH._ _--Tentanda via est; qua me quoque possim Tollere humo, victorque viram volitare per ora._ VIRG. On vent'rous wing in quest of praise I go, And leave the gazing multitude below. A NEW EDITION, ILLUSTRATED WITH FRONTISPIECES. LONDON: PRINTED FOR SILVESTER DOIG, ROYAL EXCHANGE, EDINBURGH. 1793. * * * * * No. CXXVII. Tuesday, January 22. 1754. _--Veteres ita miratur, laudatque!--_ HOR. The wits of old he praises and admires. "It is very remarkable," says Addison, "that notwithstanding we fall short at present of the ancients in poetry, painting, oratory, history, architecture, and all the noble arts and sciences which depend more upon genius than experience; we exceed them as much in doggerel, humour, burlesque, and all the trivial arts of ridicule." As this fine observation stands at present only in the form of a general assertion, it deserves, I think, to be examined by a deduction of particulars, and confirmed by an allegation of examples, which may furnish an agreeable entertainment to those who have ability and inclination to remark the revolutions of human wit. That Tasso, Ariosto, and Camoens, the three
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