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The Project Gutenberg EBook of The Electra of Euripides, by Euripides This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Electra of Euripides Author: Euripides Release Date: December 10, 2004 [EBook #14322] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE ELECTRA OF EURIPIDES *** Produced by Paul Murray, Charles Bidwell and the PG Online Distributed Proofreading Team. THE ELECTRA OF EURIPIDES TRANSLATED INTO ENGLISH RHYMING VERSE WITH EXPLANATORY NOTES BY GILBERT MURRAY, LL.D., D.LITT. REGIUS PROFESSOR OF GREEK IN THE UNIVERSITY OF OXFORD FORTY-SECOND THOUSAND LONDON: GEORGE ALLEN & UNWIN LTD RUSKIN HOUSE, 40 MUSEUM STREET, W.C.1 _First Edition, November_ 1905 _Reprinted, November_ 1906 " _February_ 1908 " _March_ 1910 " _December_ 1910 " _February_ 1913 " _April_ 1914 " _June_ 1916 " _November_ 1919 " _April_ 1921 " _January_ 1923 " _May_ 1925 " _August_ 1927 " _January_ 1929 _(All rights reserved)_ PERFORMED AT THE COURT THEATRE, LONDON IN 1907 _Printed in Great Britain by Unwin Brothers Ltd., Woking_ Introduction[1] The _Electra_ of Euripides has the distinction of being, perhaps, the best abused, and, one might add, not the best understood, of ancient tragedies. "A singular monument of poetical, or rather unpoetical perversity;" "the very worst of all his pieces;" are, for instance, the phrases applied to it by Schlegel. Considering that he judged it by the standards of conventional classicism, he could scarcely have arrived at any different conclusion. For it is essentially, and perhaps consciously, a protest against those standards. So, indeed, is the tragedy of _The Trojan Women_; but on very different lines. The _Electra_ has none of the imaginative splendour, the vastness, the intense poetry, of that wonderful work. It is a close-knit, powerful, well-constructed play, as realistic as the tragic conventions will allow, intellectual and rebellious. Its _psychology_ reminds one of Browning, or even of Ibsen. To a fifth-century Greek all history came in the
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