sly from the
most complete exposure, and a picturesqueness of speech like that of a
walking dictionary of slang."

It was this character, Captain Tucca, that Dekker hit upon in his reply,
"Satiromastix," and he amplified him, turning his abusive vocabulary
back upon Jonson and adding "An immodesty to his dialogue that did not
enter into Jonson's conception." It has been held, altogether plausibly,
that when Dekker was engaged professionally, so to speak, to write
a dramatic reply to Jonson, he was at work on a species of chronicle
history, dealing with the story of Walter Terill in the reign of William
Rufus. This he hurriedly adapted to include the satirical characters
suggested by "Poetaster," and fashioned to convey the satire of his
reply. The absurdity of placing Horace in the court of a Norman king is
the result. But Dekker's play is not without its palpable hits at the
arrogance, the literary pride, and self-righteousness of Jonson-Horace,
whose "ningle" or pal, the absurd Asinius Bubo, has recently been shown
to figure forth, in all likelihood, Jonson's friend, the poet Drayton.
Slight and hastily adapted as is "Satiromastix," especially in a
comparison with the better wrought and more significant satire of
"Poetaster," the town awarded the palm to Dekker, not to Jonson; and
Jonson gave over in consequence his practice of "comical satire." Though
Jonson was cited to appear before the Lord Chief Justice to answer
certain charges to the effect that he had attacked lawyers and soldiers
in "Poetaster," nothing came of this complaint. It may be suspected that
much of this furious clatter and give-and-take was pure playing to the
gallery. The town was agog with the strife, and on no less an authority
than Shakespeare ("Hamlet," ii. 2), we learn that the children's company
(acting the plays of Jonson) did "so berattle the common stages...that
many, wearing rapiers, are afraid of goose-quills, and dare scarce come
thither."

Several other plays have been thought to bear a greater or less part
in the war of the theatres. Among them the most important is a college
play, entitled "The Return from Parnassus," dating 1601-02. In it a
much-quoted passage makes Burbage, as a character, declare: "Why here's
our fellow Shakespeare puts them all down; aye and Ben Jonson, too. O
that Ben Jonson is a pestilent fellow; he brought up Horace, giving the
poets a pill, but our fellow Shakespeare hath given him a purge that
made him be