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ns ploughing in philosophy, thumbing classics, composing music of a novel order: both are marching, evolutionising, learning how to kill. Ridiculous Germans! capricious Frenchmen! We want nothing new in musical composition and abstract speculation of an indecent mythology, or political contrivances and schemes of Government, and we do not want war. Peace is the Goddess we court for the hand of her daughter Plenty, and we have won that jolly girl, and you are welcome to the marriage-feast; but avaunt new-fangled theories and howlings: old tunes, tried systems, for us, my worthy friends. Roundness admiring the growth of its globe may address majestic invitation to the leaner kine. It can exhibit to the world that Peace is a most desirable mother-in-law; and it is tempted to dream of capping the pinnacle of wisdom when it squats on a fundamental truth. Bull's perusal of the Horatian carpe diem is acute as that of the cattle in fat meads; he walks like lusty Autumn carrying his garner to drum on, for a sign of his diligent wisdom in seizing the day. He can read the page fronting him; and let it be of dining, drinking, toasting, he will vociferously confute the wiseacre bookworms who would have us believe there is no such thing as a present hour for man. In sad fact, the member for England is often intoxicate. Often do we have him whirling his rotundity like a Mussulman dervish inflated by the spirit to agitate the shanks, until pangs of a commercial crisis awaken him to perceive an infructuous past and an unsown future, without one bit of tracery on its black breast other than that which his apprehensions project. As for a present hour, it swims, it vanishes, thinner than the phantom banquets of recollection. What has he done for the growth of his globe of brains?--the lesser, but in our rightful posture the upper, and justly the directing globe, through whose directions we do, by feeding on the past to sow the future, create a sensible present composed of both--the present of the good using of our powers. What can he show in the Arts? What in Arms? His bards--O faithless! but they are men--his bards accuse him of sheer cattle-contentedness in the mead, of sterility of brain, drowsihood, mid-noddyism, downright carcase-dulness. They question him to deafen him of our defences, our intellectual eminence, our material achievements, our poetry, our science; they sneer at his trust in Neptune, doubt the scaly invulnerability
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