ithin that man of faith, in whom passion had burned and who had loved
all excitement, including that of danger, as to-day he loved his ideas,
as he loved his flagi moderately. He no longer thought of the three
women to be spared suspicion, nor of the good deed to be accomplished.
He saw all his old friends and their talent for fighting, the thrusts of
this one, the way another had of striking, the composure of a third, and
then this refrain interrupted constantly his warlike anecdotes: "But
why the deuce has Gorka chosen that Hafner for his second?... It is
incomprehensible.".... On entering the carriage which was to bear them
to their interview, he heard Dorsenne say to the coachman: "Palais
Savorelli."
"That is the final blow," said he, raising his arm and clenching his
fist. "The adventurer occupies the Pretender's house, the house of the
Stuarts.".... He repeated: "The house of the Stuarts!" and then lapsed
into a silence which the writer felt to be laden with more storminess
than his last denunciation. He did not emerge from his meditations
until ushered into the salon of the ci-devant jeweller, now a grand
seigneur--into one of the salons, rather, for there were five. There
Montfanon began to examine everything around him, with an air of such
contempt and pride that, notwithstanding his anxiety, Dorsenne could not
resist laughing and teasing him by saying:
"You will not pretend to say that there are no pretty things here? These
two paintings by Moroni, for example?"
"Nothing that is appropriate," replied Montfanon. "Yes, they are two
magnificent portraits of ancestors, and this man has no ancestors!...
There are some weapons in that cupboard, and he has never touched a
sword! And there is a piece of tapestry representing the miracles of the
loaves, which is a piece of audacity! You may not believe me, Dorsenne,
but it is making me ill to be here.... I am reminded of the human toil,
of the human soul in all these objects, and to end here, paid for how?
Owned by whom? Close your eyes and think of Schroeder and of the others
whom you do not know. Look into the hovels where there is neither
furniture, fire, nor bread. Then, open your eyes and look at this."
"And you, my dear friend," replied the novelist, "I conjure you to think
of our conversation in the catacombs, to think of the three ladies in
whose names I besought you to aid Florent."
"Thank you," said Montfanon, passing his hand over his brow, "I promi
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