at is that which he has tried to say? Perhaps
the best way of stating this fairly will be to begin with that element
which has been most insisted by himself and by his opponents--I mean
his interest in militarism. But when we are seeking for the real merits
of a man it is unwise to go to his enemies, and much more foolish to go
to himself.
Now, Mr. Kipling is certainly wrong in his worship of militarism, but
his opponents are, generally speaking, quite as wrong as he. The evil
of militarism is not that it shows certain men to be fierce and haughty
and excessively warlike. The evil of militarism is that it shows most
men to be tame and timid and excessively peaceable. The professional
soldier gains more and more power as the general courage of a community
declines. Thus the Pretorian guard became more and more important in
Rome as Rome became more and more luxurious and feeble. The military
man gains the civil power in proportion as the civilian loses the
military virtues. And as it was in ancient Rome so it is in
contemporary Europe. There never was a time when nations were more
militarist. There never was a time when men were less brave. All ages
and all epics have sung of arms and the man; but we have effected
simultaneously the deterioration of the man and the fantastic
perfection of the arms. Militarism demonstrated the decadence of Rome,
and it demonstrates the decadence of Prussia.
And unconsciously Mr. Kipling has proved this, and proved it admirably.
For in so far as his work is earnestly understood the military trade
does not by any means emerge as the most important or attractive. He
has not written so well about soldiers as he has about railway men or
bridge builders, or even journalists. The fact is that what attracts
Mr. Kipling to militarism is not the idea of courage, but the idea of
discipline. There was far more courage to the square mile in the Middle
Ages, when no king had a standing army, but every man had a bow or
sword. But the fascination of the standing army upon Mr. Kipling is not
courage, which scarcely interests him, but discipline, which is, when
all is said and done, his primary theme. The modern army is not a
miracle of courage; it has not enough opportunities, owing to the
cowardice of everybody else. But it is really a miracle of
organization, and that is the truly Kiplingite ideal. Kipling's subject
is not that valour which properly belongs to war, but that
interdependence and
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