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, I waking dreamt of some transcendent shape, A woman's--framed by opalescent shells, Peacefully lulled by Nature's harmonies." A day or two later he came to bring me another version which, he explained, he thought I should "like better." This was adopted, and the picture was christened, "The Isle's Enchantress," and described by the following lines:-- "Wind-wafted from the sunset, o'er the swell Of summer's slumb'rous sea, herself asleep, Came shoreward, in her iridescent shell Cradled, the isle's enchantress. You who keep A drowsy watch beside her--watch her well!" The day was approaching when, with other work, I was to show that "Isle's Enchantress." Picture show-day they call it. Soft-soap day would be more correct, for every artist expects his friends to give him as much of flattery as they can find it in their consciences to give. And as a rule consciences are elastic; a little encouragement from the artist goes a long way, and, once he satisfies his friends that he is of an unsuspecting nature, they will lay it on thick in the pleasantest of ways. To be sure the day brings its little trials too, but of those another time. * * * * * It had occurred to me that some of the friends I had invited to meet my Enchantress, might like to have a copy of Browning's lines; so I went round one evening to 29 De Vere Gardens to ask whether he had any objection to their being printed. "None whatever," he said, in answer to my question. I thanked him and added, "To be sure I want to put your name to them." "Oh, you can't do that," he said; "they are not mine, they are yours." "Mine! Why, you know, _I_ couldn't write verse to save my life." "Ah, but you did; you sent me the substance and put it into blank verse." "Blank verse!"--Blank was my astonishment, and I felt like the man in Moliere when he was told he had been speaking prose all his life. Well, we sat by the fireside in that drawing-room of his and discussed the matter, and he would have it that I was the author and that he had only put my idea into shape. "If I had suggested alterations in your picture," he said, "or if I had advised you to introduce a coral-reef here and a dolphin there, would that have justified me in signing _your_ picture?" "No, perhaps not," I agreed, "but if you had laid on the last coat of paint, the one the public was to see, you certainly
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