es since that first meeting.

[Illustration: "BEAUTIFUL LILLI LEHMANN, STATELY AND SERENE"

SIGNED PHOTOGRAPH:

To my dearest child

Geraldine Farrar

with all my love

Lilli Lehmann.]

Lilli insisted that I should essay one Wagnerian role. Under her
direction I studied Elizabeth in "Tannhaeuser," and the night I made my
first appearance in this role in Berlin was a memorable occasion for
both of us. The entire royal family was present, and Lilli sat in a loge
with my mother. I should explain that Lilli, who had been a notable
member of the Royal Opera for many years prior to her American
successes, had had differences with the direction of the Royal Opera
during the years of her tremendous popularity in America, and had
followed her own sweet will by remaining here several seasons without
receiving the necessary permission from the Intendant to do so.

As a result, upon her return to Germany she had not been summoned to
resume her roles at the Royal Opera. This condition of affairs, I
believe, had existed for some time, Lilli, with the pride and
independence of a great artist, scorning to make the first advances
leading to her return.

On the night of my appearance as Elizabeth, after I had scored a really
great success, the Kaiser summoned me to the royal box to congratulate
me. He knew that I had studied the role under Lilli's direction. He
therefore summoned Lilli as well, complimented her upon her pupil's
achievement and then and there requested her to sing as guest artist at
the Royal Opera, which she did a few weeks later.

It was a great and happy night for me, and I believe for Lilli also.

Dimly connected with this period I remember various young gentlemen
showing me attentions. There was a baron who mysteriously sent gifts
concealed in flowers, with very charming poems written about the
difficult roles I was playing. It was some time before I found out who
he was and could return his trinkets, with the request that he cease
sending presents to me. However, he continued to write me pathetic
letters for several years afterward. But I was thrilled and enthusiastic
over my career, and had no serious thoughts for love-making or
matrimony. I wished to devote all my time and energy to my work.

[Illustration: THE CROWN PRINCE OF GERMANY

SIGNED, 'Tally Ho--!' 1914

WITH THE IMPERIAL SEAL BELOW]

But no artist can hope to escape permanently the evil tongue and
jealousy of those who envy her the su