FREE BOOKS

Author's List




PREV.   NEXT  
|<   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153  
154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   >>   >|  
t more from him than from any other of our rising "Sons of the Morning." But he must work and walk worthy of his high vocation, and of the hopes which now lie upon him--hopes which must either be the ribbons of his crown or the cords of his sacrifice. He must discard his tendency to diffusion, and break in that demon-steed of eloquence, who sometimes is apt to run away with him. He must give us next, not scattered scenes, but a whole epic, the middle of which shall be as obvious as the beginning or the end. He should, in his next work, seek less to please, startle, or gain an audience, than to tell them in thunder and in music what they ought to believe and to do. Thus acting, he may "fill his crescent-sphere;" revive the power and glory of song; give voice to a great dumb struggle in the mind of the age; rescue the lyre from the camp of the Philistines, where it has been but too long detained; and render possible the hope, that the day shall come when again, as formerly, the names "of poet and of prophet are the same." FOOTNOTES: [18] The Roman: a Dramatic Poem. By Sydney Yendys. London: Rantley, 1850. [From Sharpe's London Magazine.] RECOLLECTIONS OF THOMAS CAMPBELL. In his intercourse with society, Campbell was a shrewd observer of those often contradictory elements of which it is composed. Adverting to the absurd and ludicrous, he had the art or talent of heightening their effect by touches peculiarly his own; while the quiet gravity with which he related his personal anecdotes or adventures, added greatly to the charm, and often threw his unsuspecting hearers into uncontrollable fits of laughter. Nor was the _pathos_ with which he dilated on some tale of human misery less captivating; it runs through all his poetry, and in hearing or relating a story of human wrongs or suffering, we have often seen him affected to tears, which he vainly strove to conceal by an abrupt transition to some ludicrous incident in his own personal history. As an example, which has not yet found its way to the public, we may relate the following, which he told one evening in our little domestic circle where he was a frequent visitor, and where the conversation had taken, as he thought, a somewhat too serious turn: "In my early life, when I resided in the island of Mull, most of those old feudal customs which civilization had almost banished from the Lowlands, were still religiously observed in the Hebrides--more especi
PREV.   NEXT  
|<   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153  
154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   >>   >|  



Top keywords:
personal
 

London

 

ludicrous

 
uncontrollable
 

poetry

 

captivating

 

misery

 

pathos

 

dilated

 

laughter


gravity

 
talent
 

heightening

 
effect
 
absurd
 

Adverting

 

observer

 

shrewd

 

contradictory

 

elements


composed

 

touches

 

peculiarly

 

greatly

 

unsuspecting

 
hearers
 

adventures

 

hearing

 

related

 

anecdotes


island

 

resided

 
conversation
 

visitor

 

thought

 

religiously

 

observed

 

especi

 

Hebrides

 

Lowlands


banished
 
feudal
 

customs

 

civilization

 

frequent

 
circle
 

strove

 
vainly
 
conceal
 

abrupt