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opped her to the men below. "I b'lieve they're all alive." So he came and went, rapid and sure, carrying his burdens. "That's two.... That's three.... That's four. They're well-nigh suffocated--but they're alive." He crawled on the floor to find them, snatched the blankets and sheets off the beds, wrapped them from head to foot. "That's five.... That's six. She has fainted--but she's alive." On the balcony the red-hot metal had burned his feet nearly to the bone, his blistered hands were big and soft as boxing gloves, even the air in his lungs was on fire. While he crawled and groped between the beds for the last of the children, the floor began to bulge and sag, and fragments of the plaster ceiling rained upon his head and back. "That's seven. Fainted. Wants air.... Still alive." They all shouted to him. "Don't go back, sir. There's no more. You've got 'em all out now. Oh, sir, don't go back." But he went, gasping for breath, and muttering, "May be another. P'raps there's another. Better see." He had got to the middle of the room when the floor gave way under him; and almost at the same moment there was a crash and the whole roof fell in. He went down amid the sudden wreck, down to a narrow couch of wood and stone, where he lay and still could think. He was pinned with an iron beam across his chest, in darkness, with the roar of the flames just above his head; smashed, mangled, roasting; but still full of a joy and hope that obliterated pain. He whispered faintly: "O God the Father and God the Holy Ghost, accept this my expiation." And he whispered again. "This fire has cleansed me. O Christ, take me to Thy bosom, white and spotless as the driven snow." That was his last thought. There came another crash, a rending pang, and peace. ***END OF THE PROJECT GUTENBERG EBOOK THE DEVIL'S GARDEN*** ******* This file should be named 14605.txt or 14605.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/4/6/0/14605 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply t
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