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o it only once--and then he had gone there with the hounds and jolly loud-voiced riders, cub-hunting, on a bright September morning. The wood symbolized everything that he wished to forget. And he thought that if he were really a rich man--not a poor little well-to-do trader, but a fabulous millionaire--he'd buy all this woodland, cut down every tree, chase away every shadow, and grow corn in the sunlight. He would buy woodland and parkland too--he would burn Aunt Petherick's hidden cottage, the Abbey with its inner, outer and middle courtyards, yes, and its church also; he would burn and fell, and grub and plough, and then plant the seeds of corn that symbolize the resurrection of life; and the sun should shine on a wide yellow sea, with waves of hope rippling across it as the ripened ears bowed and rose; and there should be no trace or stain to mark the submerged slime that had held corruption and death. Then, if he could do that, he would have nothing to remind him of all he had gone through in the past. Nothing to remind him? It made no difference whether the Abbey towers and the North Ride chimneys were visible or invisible; no screen of trees, whether leafless as now or carrying the full weight of foliage, could really screen them from him; they were inside him, together with all that they had once signified, a part of himself. If he did not look at them with introspective eyes, if he ignored their existence, if he succeeded in not thinking of them, there was always something else, inside him or outside him, to carry his thoughts back into the black bad time. At this moment it was the Orphanage, with its wet red roofs and dripping white verandas. His road took him close in front of it--a lengthy stretch of building composed of a central block that contained the hall and schoolrooms, and two lesser and lower blocks connected by cloisters. He glanced at these blocks--long and low, only a ground floor and an upper story--and noticed the veranda and broad balconies. The girls slept here, as Mavis had told him; the younger in one block and the older in the other block. The whole institution had an air of old-established order and unceasing care; all the paint was new and clean; the gardens and terraces, with hedges and shrubs that had grown high and thick, were beautifully kept; not a weed showed in borders or paths; the copper bell in the belfry turret was so well polished that it seemed to shine, even though n
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