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ters. Dryden supposes him to be the King of Dulness, who, advanced in years, will abdicate his well-possessed throne. He selects Shadwell from amongst his numerous offspring, all the Dunces, as the son or Dunce the most nearly resembling himself--hence the name of the poem--and appoints him his successor. That is the whole plan. The verse flows unstinted from the full urn of Dryden. The perfect ease, and the tone of mastery characteristic of him, are felt throughout. He amuses himself with laughing at his rival, and the amusement remains to all time; for all who, having felt the pleasure of wit, are the foes of the Dunces. It is not a laboured poem--it is a freak of wit. You cannot imagine him attaching much importance to the scarcely two hundred lines, thrown off in a few gleeful outpourings. To _us_, Shadwell is _nothing_. He is a phantom, an impersonation. His Duncehood is exaggerated, for he was a writer of some talent in one walk; but being selected for the throne, it was imperative to make him Dunce all through. To us, there, he is merely a Type; and we judge the strokes of Dryden in their universality, not asking if they were truly applicable to his victim, but whether they express pointedly and poignantly the repulsion entertained by Wit for Dulness. In this enlarged sense and power we feel it as poetry. When the father, encouraging his heir, says-- "And when false flowers of ret'ric thou wouldst cull, Trust Nature; do not labour to be dull; But, write they best, and top"---- Nothing can be happier. The quiet assumption of Dulness for the highest point of desirable human attainment--the good-nature and indulgent parental concern of the wish to save the younger emulator of his own glory from spending superfluous pains on a consummation sure to come of itself--the confidence of the veteran Dullard in the blood of the race, and in the tried and undegenerate worth of his successor--the sufficient direction of a life and reign comprehended, summed up, concentrated in the one master-precept--"do not labour to be dull"--are inimitable. You feel the high artist, whom experience has made bold; and you feel your own imagination roused to conceive the universe of Dunces, each yielding to the attraction of his genius, fluttering his pinions with an exquisite grace, and all, without labour or purpose, arriving at the goal predestined by nature and fate. We know of no good reason why, for the delectation of myria
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