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ketched the delicious picture before him" was changed to a period. On page 298, a missing quotation mark was added after "I admit no one into my games." On page 318, "abstracted mein" was changed to "abstracted mien". On page 320, "she might as well open her's" was changed to "she might as well open hers". On page 321, "Mizra's skill" was changed to "Mirza's skill", "acquired for Mizra" was changed to "acquired for Mirza", and "evidently not to Mizra" was changed to "evidently not to Mirza". On page 323, "the statue of Henri IV.." was changed to "the statue of Henri IV.", and "standing at her wnidow" was changed to "standing at her window". On page 325, "were not eompensated" was changed to "were not compensated". On page 326, "secretely the mistress" was changed to "secretly the mistress". On page 329, a missing quotation mark was added before "I did come to speak". On page 339, "Melezieux advanced" was changed to "Malezieux advanced". On page 354, "sat down opposite D'Harmemtal" was changed to "sat down opposite D'Harmental", and a missing quotation mark was added following "something profoundly sad has happened to you.". On page 377, "where the orignals are" was changed to "where the originals are". On page 408, "the name--the name--of--Chevalier--Raoul D'Harmental" was changed to "the name--the name--of--Chevalier--Raoul d'Harmental". On page 410, "By the light of the t orch" was changed to "By the light of the torch". On page 411, "mounted on the postllion's horse" was changed to "mounted on the postilion's horse". On page 412, "risked all, sufered all" was changed to "risked all, suffered all".] End of Project Gutenberg's The Conspirators, by Alexandre Dumas (Pere) *** END OF THIS PROJECT GUTENBERG EBOOK THE CONSPIRATORS *** ***** This file should be named 27385.txt or 27385.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/3/8/27385/ Produced by Steven desJardins and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in th
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