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The Project Gutenberg EBook of The Mirror of Literature, Amusement, and Instruction, No. 360, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mirror of Literature, Amusement, and Instruction, No. 360 Vol. XIII. No. 360, Saturday, March 14, 1829 Author: Various Release Date: October 5, 2004 [EBook #13644] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE, *** Produced by Jonathan Ingram, David Garcia and the Online Distributed Proofreading Team. THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION VOL. XIII. NO. 360.] SATURDAY, MARCH 14, 1829. [PRICE 2d. * * * * * Grand Entrance to Hyde Park. [Illustration: _Frieze_.] GRAND ENTRANCE TO HYDE PARK. The great Lord Burleigh says, "A realm gaineth more by one year's peace than by ten years' war;" and the architectural triumphs which are rising in every quarter of the metropolis are strong confirmation of this maxim. One of these triumphs is represented in the annexed engraving, viz. the grand entrance to Hyde Park, erected from the designs of Decimus Burton, Esq. It consists of a screen of handsome fluted Ionic columns, with three carriage entrance archways, two foot entrances, a lodge, &c. The extent of the whole frontage is about 107 feet. The central entrance has a bold projection: the entablature is supported by four columns; and the volutes of the capitals of the outside column on each side of the gateway are formed in an angular direction, so as to exhibit two complete faces to view. The two side gateways, in their elevations, present two insulated Ionic columns, flanked by antae. All these entrances are finished by a blocking, the sides of the central one being decorated with a beautiful frieze, representing a naval and military triumphal procession, which our artist has copied and represented in distinct engravings. This frieze was designed by Mr. Henning, jun., son of Mr. Henning, so well known for his admirable models of the Elgin marbles. It possesses great classical merit, and the model was exhibited last season in the sculpture-room of the Suffolk-street Gallery. The _gates_ we
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