sh, 198
speech, 146
Epiglottis, 79
Eustachian tube, 241
Execution, 179, 256
Exercises, 131-135, 139
practical, 73
Expiration, 49
Expiratory blast, 60, 68, 88, 103, 177
current, 136, 208
Explosives, 226
Expression, 254
F
Falsetto, 154
high, 170, 178
in males, 160, 179
"Feeling-tone", 212
Food, 263
"Forward" production, 213
Fundamental principles, 179-194
application of, 195-206
tone, 231
G
Garcia, Manuel, 105, 138, 159
German language, 198
speech, 146
Germans, pitch of, 224
Glide, 258
Glottis, 47, 78, 82, 88, 126, 159
in barytone voices, 157
bass voices, 157
contralto voices, 158
mezzo-soprano voices, 158
tenor voices, 157
ligamentous, 157
H
Head, position of, 205
Hearing, 101, 236-250
difference in animals, 101
highest limit of, 102
lower limit of, 102
Helmholtz, 167
Hygiene, 33, 72, 92, 93, 251-275
Hyoid bone, 81, 95
I
Illustration of principles, 27, 28
Impulses, 236
Inhibitions, 184
Inspiration, 48, 51, 71
Intonation, 195, 196, 230
correct position for good, 131
Italian language, 198
K
Knowledge, principle of, 34
L
Larynx, 60, 74-96, 136, 148, 258
anatomy of, 21
as a musical instrument, 102
change in size of, 111
control over, 112
difference in size, 110
growth of, 138
in action, 109
in singing and speaking, 198
muscles of, 81, 95
of the male 138
photography of, 161
physiology of, 21
ventricle of, 80
vibrations of, 96
whole, 94
Laryngoscope, 91, 103, 136
Ligamentous glottis, 157
Lips, 202
Lungs, 49, 63
Lymph, 37
M
Mackenzie, Sir Morell, 156, 167, 168
Mara, Madame, range of, 111
Marcato production, 209
Marchesi, Madame, teaching of, 159
Men, register of, 234
Messages, Auditory, 250
Methods, correct, 22, 23
faulty, 32
Middle production, 214
Midriff, see diaphragm
Mind, 210
Mirror, use of, 235
Mouth, as a resonance chamber, 221
resonator, 148
cavity, 149
respiration, 131
toilet of, 262
Movements, 192
Muscles, 36, 82
abdominal, 66
Muscular action, 71
mechanism, 42
movements, 179
Music, 243
appreciation of, 247
intellectuality in, 256
intelligence in, 108
interpretation of, 21
Musical artist, 198
ear, 31
prodigy, 243
faculty develops early, 115
faults, 258
sounds, practical range of, 102
tones, 231
Musician, fundame
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