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sh, 198 speech, 146 Epiglottis, 79 Eustachian tube, 241 Execution, 179, 256 Exercises, 131-135, 139 practical, 73 Expiration, 49 Expiratory blast, 60, 68, 88, 103, 177 current, 136, 208 Explosives, 226 Expression, 254 F Falsetto, 154 high, 170, 178 in males, 160, 179 "Feeling-tone", 212 Food, 263 "Forward" production, 213 Fundamental principles, 179-194 application of, 195-206 tone, 231 G Garcia, Manuel, 105, 138, 159 German language, 198 speech, 146 Germans, pitch of, 224 Glide, 258 Glottis, 47, 78, 82, 88, 126, 159 in barytone voices, 157 bass voices, 157 contralto voices, 158 mezzo-soprano voices, 158 tenor voices, 157 ligamentous, 157 H Head, position of, 205 Hearing, 101, 236-250 difference in animals, 101 highest limit of, 102 lower limit of, 102 Helmholtz, 167 Hygiene, 33, 72, 92, 93, 251-275 Hyoid bone, 81, 95 I Illustration of principles, 27, 28 Impulses, 236 Inhibitions, 184 Inspiration, 48, 51, 71 Intonation, 195, 196, 230 correct position for good, 131 Italian language, 198 K Knowledge, principle of, 34 L Larynx, 60, 74-96, 136, 148, 258 anatomy of, 21 as a musical instrument, 102 change in size of, 111 control over, 112 difference in size, 110 growth of, 138 in action, 109 in singing and speaking, 198 muscles of, 81, 95 of the male 138 photography of, 161 physiology of, 21 ventricle of, 80 vibrations of, 96 whole, 94 Laryngoscope, 91, 103, 136 Ligamentous glottis, 157 Lips, 202 Lungs, 49, 63 Lymph, 37 M Mackenzie, Sir Morell, 156, 167, 168 Mara, Madame, range of, 111 Marcato production, 209 Marchesi, Madame, teaching of, 159 Men, register of, 234 Messages, Auditory, 250 Methods, correct, 22, 23 faulty, 32 Middle production, 214 Midriff, see diaphragm Mind, 210 Mirror, use of, 235 Mouth, as a resonance chamber, 221 resonator, 148 cavity, 149 respiration, 131 toilet of, 262 Movements, 192 Muscles, 36, 82 abdominal, 66 Muscular action, 71 mechanism, 42 movements, 179 Music, 243 appreciation of, 247 intellectuality in, 256 intelligence in, 108 interpretation of, 21 Musical artist, 198 ear, 31 prodigy, 243 faculty develops early, 115 faults, 258 sounds, practical range of, 102 tones, 231 Musician, fundame
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