se
who force, owing to methods essentially wrong, or simply to the too
vigorous use of methods correct in themselves, are to be traced to the
above--_i.e._, to this congestion, which is bad, and bad only.
If one who had a naturally sound throat at the outset finds that after
vocal exercise he experiences either a soreness or an undue weariness
of parts, he should conclude, if he is living under healthy
conditions, that the methods he is employing are incorrect, and seek
the natural remedy. Proper vocal exercise should, in those with
healthy vocal organs, always improve them and the condition of the
whole man. The author has met those who have been ruined vocally for
life by the use of certain methods recommended by would-be
professional guides. Why should not all who assume the responsibility
of guiding speakers and especially singers be required by the state to
show that they have not only a knowledge of music and vocal technique,
but also at least a moderate amount of practical knowledge of the
anatomy and physiology of the vocal organs, with some elementary
information on general physiology? If the injury done by incompetent
teachers were realized, we feel certain that the above proposition
would not be questioned.
A common cause of congestion of the digestive organs, with which, of
course, other parts sympathize physiologically, is _constipation_,
very often the result of insufficient exercise, and injurious in many
ways. Speakers and singers very generally ride to and from their
engagements, so that there is special reason why they should see to it
that some time is set aside for general exercise, as walking in the
open air, which would of itself work against that tendency to grow fat
which is the physical curse that seems to fall on artists above most
others.
It seems scarcely necessary to point out how important it is for those
who propose to take up the life of the stage or the platform to look
to hardening themselves against catching cold, by friction of the
skin, cold bathing, etc. The use of a sponge-bath of cold salt and
water to the upper parts of the body, especially the neck and chest,
will prove valuable in many cases, but the enervating effects of hot
water should be avoided by all.
The remarks made in regard to Wagner's music on page 257
have been among the very few to which exception has been
taken by my reviewers.
To those who disagree with me on the merits of the case
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