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of the nose 143 50. Madame Seiler's division of the registers 155 51. Appearance of the vocal bands when sounding first E and then F sharp 164 52. Diagram to show the nature of registers and breaks 166 53. Diagram of the processes involved in singing 186 54. Highly magnified diagramatic representation of a section through the superficial part of the great brain 188 55. Nerve-cell from the outer rind of the great brain, much magnified 189 56. Position of parts in sounding the vowel A 219 57. Position of the parts in sounding I 220 58. Position of the parts in sounding OU 222 59. Position of the parts in sounding T, K, F, R, N, and P 227 60. Vertical section of the auditory apparatus 237 61. Diagram of the auditory apparatus 238 62. Two of the ear-bones (malleus and incus), enlarged 239 63. The complete chain of auditory ossicles 240 VOICE PRODUCTION CHAPTER I. THE CLAIMS AND IMPORTANCE OF VOCAL PHYSIOLOGY. To know consciously and to do with special reference to guiding principles are to be distinguished from carrying out some process without bearing in mind the why or wherefore. Science is exact and related knowledge, facts bound together by principles. Art is execution, doing, and has not necessarily any conscious reference to principles. While every art has its corresponding science, their relation is in some cases of much greater practical importance than in others. While a painter may be the better for knowing the laws of light, there can be no question that he may do very good work without any knowledge whatever of the science of optics. He is at least in no danger of injuring any part of his person. Entirely otherwise is it with the voice-user. He employs a delicate and easily injured vital apparatus. His results depend on the most accurate adjustment of certain neuro-muscular mechanisms, and one might suppose that it would be obvious to all who are concerned with this art that a knowledge of the structure and functions of these delicate arrangements of Nature would be at least of great if not of essential importance. The engin
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