e told us the gentleman was not
playing there any more,--was playing somewhere else, but he had forgotten
where. We insisted upon talking to the old pianist, who at last
reluctantly admitted that the Bohemian had been dismissed. He had arrived
very late one Sunday night three weeks ago, and had hot words with the
proprietor. He had been late before, and had been warned. He was a very
talented fellow, but wild and not to be depended upon. The old man gave
us the address of a French boarding-house on Seventh Avenue where
Bouchalka used to room. We drove there at once, but the woman who kept
the place said that he had gone away two weeks before, leaving no
address, as he never got letters. Another Bohemian, who did engraving
on glass, had a room with her, and when he came home perhaps he could
tell where Bouchalka was, for they were friends.
It took us several days to run Bouchalka down, but when we did find him
Cressida promptly busied herself in his behalf. She sang his _"Sarka"_
with the Metropolitan Opera orchestra at a Sunday night concert, she got
him a position with the Symphony Orchestra, and persuaded the
conservative Hempfstangle Quartette to play one of his chamber
compositions from manuscript. She aroused the interest of a publisher in
his work, and introduced him to people who were helpful to him.
By the new year Bouchalka was fairly on his feet. He had proper clothes
now, and Cressida's friends found him attractive. He was usually at her
house on Sunday afternoons; so usually, indeed, that Poppas began
pointedly to absent himself. When other guests arrived, the Bohemian and
his patroness were always found at the critical point of discussion,--at
the piano, by the fire, in the alcove at the end of the room--both of
them interested and animated. He was invariably respectful and admiring,
deferring to her in every tone and gesture, and she was perceptibly
pleased and flattered,--as if all this were new to her and she were
tasting the sweetness of a first success.
One wild day in March Cressida burst tempestuously into my apartment and
threw herself down, declaring that she had just come from the most trying
rehearsal she had ever lived through. When I tried to question her about
it, she replied absently and continued to shiver and crouch by the fire.
Suddenly she rose, walked to the window, and stood looking out over the
Square, glittering with ice and rain and strewn with the wrecks of
umbrellas. When she
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