out
of the great need of the nations there may come change. Educators will
find their opportunity as they discover conditions under which the
great enterprise of industry may be educational and as they repudiate
or oppose institutions which exclude educational factors.
It is for educators to realize first of all that there can be no
social progress while there is antagonism between growth in wealth
(which is industry) and growth in individuals (which is education);
that the fundamental antagonisms which are apparent in the current
arrangement are not between industry and education but between
education and business. They must know that as business regulates and
controls industry for ulterior purposes, that is for other purposes
than production of goods, it thwarts the development of individual
lives and the evolution of society; that it values a worker not for
his potential productivity but for his immediate contribution to the
annual stock dividend; or if, as in Germany where his productive
potentiality is valued in terms of longer time, it is for the imperial
intention of the state and not for the growth of the individual or the
progress of civilisation.
CREATIVE IMPULSE IN INDUSTRY
CHAPTER I
PRODUCTION AND CREATIVE EFFORT
As a human experience, the act of creating, the process of fabricating
wealth, has been at different times as worthy of celebration as the
possession of it. Before business enterprise and machine production
discredited handwork, art for art's sake, work for the love of work,
were conceivable human emotions. But to-day, a Cezanne who paints
pictures and leaves them in the field to perish is considered by the
general run of people, in communities inured to modern industrial
enterprise, as being not quite right in his head. Their estimate is
of course more or less true. But such valuations are made without the
help of creative inspiration, although the functioning of a product
has its creative significance. The creative significance of a product
in use, as well as an appreciation of the act of creating, would
be evident if modern production of wealth, under the influence of
business enterprise and machine technology, had not fairly well
extinguished the appreciation and the joy of creative experience in
countries where people have fallen under its influence so completely
as in our own.
It is usual in economic considerations to credit the period of
craftsmanship as a time i
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