nd near-panic in Bill's voice. The
Coast Guard returned with "We understand you _Seven Seas_. We will clear
a line directly to Dr. Killian in Washington. Stand by."
With his hand shaking, Bill turned on the standard broadcast band of the
portable RDF. A voice cut in: "... latest reports from Walter Reed
General Hospital where the first human-manned satellite ejection chamber
has just been opened. All leading physiologists and physicists were
assembled at the hospital by midnight last night and plans to open the
ejection chamber at 6 a.m. this morning were moved up. The chamber was
opened at 4 a.m. Eastern Standard Time today. Our first report confirmed
that volunteer moon traveller, the man in the moon, Robert Joy, was no
longer alive. Hope had been abandoned for him some 80 hours previous,
when recording instruments on his body processes indicated no reactions.
Of scientific curiosity is the fact that though dead for more than three
days, his body is in a perfect state of preservation ...
"Flash! We interrupt this special newscast for a late bulletin: The body
of Robert Joy has begun to shoot out unexplained appendages, like
rapidly growing cancerous growths. His integument appears to be
enlarging, growing away from his body ..."
"Hello _Seven Seas_," broke in the ship-to-shore. "We are still trying
to locate Dr. Killian...."
END
Transcriber's Note:
This etext was produced from _If Worlds of Science Fiction_ June
1958. Extensive research did not uncover any evidence that the U.S.
copyright on this publication was renewed. Minor spelling and
typographical errors have been corrected without note.
End of the Project Gutenberg EBook of The Day of the Dog, by Anderson Horne
*** END OF THIS PROJECT GUTENBERG EBOOK THE DAY OF THE DOG ***
***** This file should be named 30528.txt or 30528.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/0/5/2/30528/
Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
perm
|