FREE BOOKS

Author's List




PREV.   NEXT  
|<   1587   1588   1589   1590   1591   1592   1593   1594   1595   1596   1597   1598   1599   1600   1601   1602   1603   1604   1605   1606   1607   1608   1609   1610   1611  
1612   1613   1614   1615   1616   1617   1618   1619   1620   1621   1622   1623   1624   1625   1626   1627   1628   1629   1630   1631   1632   1633   1634   1635   1636   >>   >|  
own hand upon Parma the necessity of putting in Catholic schoolmasters and mistresses to the exclusion of reformed teachers into all the seminaries of the recovered Provinces, in order that all the boys and girls might grow up in thorough orthodoxy. Yet this was the man from whom Sainte Aldegonde imagined the possibility of obtaining a religious peace. Ten days after the capitulation, Parma made his triumphal entrance into Antwerp; but, according to his agreement, he spared the citizens the presence of the Spanish and Italian soldiers, the military procession being composed of the Germans and Walloons. Escorted by his body-guard, and surrounded by a knot of magnates and veterans, among whom the Duke of Arschot, the Prince of Chimay, the Counts Mansfeld, Egmont, and Aremberg, were conspicuous, Alexander proceeded towards the captured city. He was met at the Keyser Gate by a triumphal chariot of gorgeous workmanship, in which sat the fair nymph Antwerpia, magnificently bedizened, and accompanied by a group of beautiful maidens. Antwerpia welcomed the conqueror with a kiss, recited a poem in his honour, and bestowed upon him the keys of the city, one of which was in gold. This the Prince immediately fastened to the chain around his neck, from which was suspended the lamb of the golden fleece, with which order he had just been, amid great pomp and ceremony, invested. On the public square called the Mere, the Genoese merchants had erected two rostral columns, each surmounted by a colossal image, representing respectively Alexander of Macedon and Alexander of Parma. Before the house of Portugal was an enormous phoenix, expanding her wings quite across the street; while, in other parts of the town, the procession was met by ships of war, elephants, dromedaries, whales, dragons, and other triumphal phenomena. In the market-place were seven statues in copper, personifying the seven planets, together with an eighth representing Bacchus; and perhaps there were good mythological reasons why the god of wine, together with so large a portion of our solar system, should be done in copper by Jacob Jongeling, to honour the triumph of Alexander, although the key to the enigma has been lost. The cathedral had been thoroughly fumigated with frankincense, and besprinkled with holy water, to purify the sacred precincts from their recent pollution by the reformed rites; and the Protestant pulpits which had been placed there, had been
PREV.   NEXT  
|<   1587   1588   1589   1590   1591   1592   1593   1594   1595   1596   1597   1598   1599   1600   1601   1602   1603   1604   1605   1606   1607   1608   1609   1610   1611  
1612   1613   1614   1615   1616   1617   1618   1619   1620   1621   1622   1623   1624   1625   1626   1627   1628   1629   1630   1631   1632   1633   1634   1635   1636   >>   >|  



Top keywords:
Alexander
 

triumphal

 
copper
 
representing
 

Antwerpia

 

honour

 

Prince

 

procession

 

reformed

 
Portugal

recent

 

pollution

 
Macedon
 
enormous
 
Before
 

precincts

 
sacred
 
street
 

expanding

 

phoenix


colossal

 

ceremony

 

invested

 

public

 

fleece

 
pulpits
 
square
 

called

 

rostral

 

columns


surmounted
 
erected
 

Genoese

 

merchants

 
Protestant
 
portion
 

cathedral

 

reasons

 

system

 
enigma

triumph

 

Jongeling

 

mythological

 
fumigated
 

phenomena

 
dragons
 

market

 

whales

 

dromedaries

 

purify