ality of those people to whom
disorder is of no consequence--who can live at ease in an Augean stable.
What surrounds us, reflects more or less that which is within us. The
mind is like one of those dark lanterns which, in spite of everything,
still throw some light around. If our tastes did not reveal our
character, they would be no longer tastes, but instincts.

While I was arranging everything in my attic, my eyes rested on the
little almanac hanging over my chimney-piece. I looked for the day of
the month, and I saw these words written in large letters: "FETE DIEU!"

It is to-day! In this great city, where there are no longer any public
religious solemnities, there is nothing to remind us of it; but it is,
in truth, the period so happily chosen by the primitive church. "The day
kept in honor of the Creator," says Chateaubriand, "happens at a time
when the heaven and the earth declare His power, when the woods and
fields are full of new life, and all are united by the happiest ties;
there is not a single widowed plant in the fields."

What recollections these words have just awakened! I left off what I was
about, I leaned my elbows on the windowsill, and, with my head between
my two hands, I went back in thought to the little town where the first
days of my childhood were passed.

The 'Fete Dieu' was then one of the great events of my life! It was
necessary to be diligent and obedient a long time beforehand, to deserve
to share in it. I still recollect with what raptures of expectation I
got up on the morning of the day. There was a holy joy in the air. The
neighbors, up earlier than usual, hung cloths with flowers or figures,
worked in tapestry, along the streets. I went from one to another,
by turns admiring religious scenes of the Middle Ages, mythological
compositions of the Renaissance, old battles in the style of Louis XIV,
and the Arcadias of Madame de Pompadour. All this world of phantoms
seemed to be coming forth from the dust of past ages, to assist--silent
and motionless--at the holy ceremony. I looked, alternately in fear
and wonder, at those terrible warriors with their swords always raised,
those beautiful huntresses shooting the arrow which never left the bow,
and those shepherds in satin breeches always playing the flute at the
feet of the perpetually smiling shepherdess. Sometimes, when the wind
blew behind these hanging pictures, it seemed to me that the figures
themselves moved, and I watched to