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him to carry him away. Gerard never guessed how important this solemn drunkard was to him: he was looking for "Beauty," and let the "Beast" lie. He ran wildly round the hall, which was now comparatively empty. She was not there. He left the palace: outside he found a crowd gaping at two great fan-lights just lighted over the gate. He asked them earnestly if they had seen an old man in a gown, and a lovely girl pass out. They laughed at the question. "They were staring at these new lights that turn night into day. They didn't trouble their heads about old men and young wenches, every-day sights." From another group he learned there was a Mystery being played under canvas hard by, and all the world gone to see it. This revived his hopes, and he went and saw the Mystery. In this representation divine personages, too sacred for me to name here, came clumsily down from heaven to talk sophistry with the cardinal Virtues, the nine Muses, and the seven deadly sins, all present in human shape, and not unlike one another. To enliven which weary stuff in rattled the Prince of the power of the air, and an imp that kept molesting him and buffeting him with a bladder, at each thwack of which the crowd were in ecstasies. When the Vices had uttered good store of obscenity and the Virtues twaddle, the celestials, including the nine Muses went gingerly back to heaven one by one; for there was but one cloud; and two artisans worked it up with its supernatural freight, and worked it down with a winch, in full sight of the audience. These disposed of, the bottomless pit opened and flamed in the centre of the stage; the carpenters and Virtues shoved the Vices in, and the Virtues and Beelzebub and his tormentor danced merrily round the place of eternal torture to the fife and tabor. This entertainment was writ by the Bishop of Ghent for the diffusion of religious sentiment by the aid of the senses, and was an average specimen of theatrical exhibitions so long as they were in the hands of the clergy. But, in course of time, the laity conducted plays, and so the theatre, I learn from the pulpit, has become profane. Margaret was nowhere in the crowd, and Gerard could not enjoy the performance; he actually went away in Act 2, in the midst of a much-admired piece of dialogue, in which Justice out-quibbled Satan. He walked through many streets, but could not find her he sought. At last, fairly worn out, he went to a hostelry and slept till day
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