him to carry him away. Gerard never guessed how important
this solemn drunkard was to him: he was looking for "Beauty," and
let the "Beast" lie. He ran wildly round the hall, which was now
comparatively empty. She was not there. He left the palace: outside he
found a crowd gaping at two great fan-lights just lighted over the gate.
He asked them earnestly if they had seen an old man in a gown, and a
lovely girl pass out. They laughed at the question. "They were staring
at these new lights that turn night into day. They didn't trouble their
heads about old men and young wenches, every-day sights." From another
group he learned there was a Mystery being played under canvas hard by,
and all the world gone to see it. This revived his hopes, and he went
and saw the Mystery.
In this representation divine personages, too sacred for me to name
here, came clumsily down from heaven to talk sophistry with the cardinal
Virtues, the nine Muses, and the seven deadly sins, all present in
human shape, and not unlike one another. To enliven which weary stuff
in rattled the Prince of the power of the air, and an imp that kept
molesting him and buffeting him with a bladder, at each thwack of which
the crowd were in ecstasies. When the Vices had uttered good store of
obscenity and the Virtues twaddle, the celestials, including the nine
Muses went gingerly back to heaven one by one; for there was but one
cloud; and two artisans worked it up with its supernatural freight,
and worked it down with a winch, in full sight of the audience. These
disposed of, the bottomless pit opened and flamed in the centre of the
stage; the carpenters and Virtues shoved the Vices in, and the Virtues
and Beelzebub and his tormentor danced merrily round the place of
eternal torture to the fife and tabor.
This entertainment was writ by the Bishop of Ghent for the diffusion
of religious sentiment by the aid of the senses, and was an average
specimen of theatrical exhibitions so long as they were in the hands of
the clergy. But, in course of time, the laity conducted plays, and so
the theatre, I learn from the pulpit, has become profane.
Margaret was nowhere in the crowd, and Gerard could not enjoy the
performance; he actually went away in Act 2, in the midst of a
much-admired piece of dialogue, in which Justice out-quibbled Satan. He
walked through many streets, but could not find her he sought. At last,
fairly worn out, he went to a hostelry and slept till day
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