quently called--first
showed signs of improvement. It was kept scrupulously clean and
whitewashed. Then it was boarded, clothed, and papered. The rose wood
cradle, packed eighty miles by mule, had, in Stumpy's way of putting it,
"sorter killed the rest of the furniture." So the rehabilitation of the
cabin became a necessity. The men who were in the habit of lounging
in at Stumpy's to see "how 'The Luck' got on" seemed to appreciate
the change, and in self-defense the rival establishment of "Tuttle's
grocery" bestirred itself and imported a carpet and mirrors. The
reflections of the latter on the appearance of Roaring Camp tended to
produce stricter habits of personal cleanliness. Again Stumpy imposed a
kind of quarantine upon those who aspired to the honor and privilege of
holding The Luck. It was a cruel mortification to Kentuck--who, in the
carelessness of a large nature and the habits of frontier life, had
begun to regard all garments as a second cuticle, which, like a snake's,
only sloughed off through decay--to be debarred this privilege from
certain prudential reasons. Yet such was the subtle influence of
innovation that he thereafter appeared regularly every afternoon in a
clean shirt and face still shining from his ablutions. Nor were moral
and social sanitary laws neglected. "Tommy," who was supposed to spend
his whole existence in a persistent attempt to repose, must not be
disturbed by noise. The shouting and yelling, which had gained the camp
its infelicitous title, were not permitted within hearing distance of
Stumpy's. The men conversed in whispers or smoked with Indian gravity.
Profanity was tacitly given up in these sacred precincts, and throughout
the camp a popular form of expletive, known as "D--n the luck!" and
"Curse the luck!" was abandoned, as having a new personal bearing.
Vocal music was not interdicted, being supposed to have a soothing,
tranquilizing quality; and one song, sung by "Man-o'-War Jack," an
English sailor from her Majesty's Australian colonies, was quite popular
as a lullaby. It was a lugubrious recital of the exploits of "the
Arethusa, Seventy-four," in a muffled minor, ending with a prolonged
dying fall at the burden of each verse, "On b-oo-o-ard of the Arethusa."
It was a fine sight to see Jack holding The Luck, rocking from side
to side as if with the motion of a ship, and crooning forth this naval
ditty. Either through the peculiar rocking of Jack or the length of his
song,--it