bestow upon him some of his antiquities, which
he would choose himself. These the King granted to him most
liberally, both for love of the Magnificent Lorenzo and on account
of Giuliano's own worth; and they were a head of the Emperor
Hadrian, which is now above the door of the garden at the house of
the Medici, a nude woman, more than life-size, and a Cupid sleeping,
all in marble and in the round. Giuliano sent them as presents to
the Magnificent Lorenzo, who expressed vast delight at the gift, and
never tired of praising the action of this most liberal of
craftsmen, who had refused gold and silver for the sake of art, a
thing which few would have done. That Cupid is now in the guardaroba
of Duke Cosimo.
[Illustration: FACADE OF S. MARIA DELLE CARCERI
(_After_ Giuliano da San Gallo. _Prato_)
_Alinari_]
Having then returned to Florence, Giuliano was received most
graciously by the Magnificent Lorenzo. Now the fancy had taken that
Prince to build a convent capable of holding a hundred friars,
without the Porta S. Gallo, in order to give satisfaction to Fra
Mariano da Ghinazzano, a most learned member of the Order of Eremite
Friars of S. Augustine. For this convent models were made by many
architects, and in the end that of Giuliano was put into execution,
which was the reason that Lorenzo, from this work, gave him the name
of Giuliano da San Gallo. Wherefore Giuliano, who heard himself
called by everyone "da San Gallo," said one day in jest to the
Magnificent Lorenzo, "By giving me this new name of 'da San Gallo,'
you are making me lose the ancient name of my house, so that, in
place of going forward in the matter of lineage, as I thought to do,
I am going backward." Whereupon Lorenzo answered that he would
rather have him become the founder of a new house through his own
worth, than depend on others; at which Giuliano was well content.
Meanwhile the work of S. Gallo was carried on, together with
Lorenzo's other buildings; but neither the convent nor the others
were finished, by reason of the death of Lorenzo. And even the
completed part of this structure of S. Gallo did not long remain
standing, because in 1530, on account of the siege of Florence, it
was destroyed and thrown to the ground, together with the whole
suburb, the piazza of which was completely surrounded by very
beautiful buildings; and at the present day there is no trace to be
seen there of house, church, or convent.
At this time there too
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