d,
of the unbridled licentiousness and savage ferocity of the French
soldiers, we were not a little surprised to find, that this and other
songs written in good taste, and expressing sentiments of a kind of
chivalrous elevation and refinement, were popular in their ranks.
* * *
The last peculiarity in the French character which we shall notice, is
perhaps the most fundamental of the whole; it is their _love of mixed
society_; of the society of those for whom they have no regard, but whom
they meet on the footing of common acquaintances. This is the favourite
enjoyment of almost every Frenchman; to shine in such society, is the
main object of his ambition; his whole life is regulated so as to
gratify this desire. He is indifferent about comforts at home--he
dislikes domestic society--he hates the retirement of the country; but
he loves, and is taught to love, to figure in a large circle of
acquaintance, for whom he has not the least heartfelt friendship, with
whom he is on no more intimate terms than with perfect strangers, after
the first half hour. If he has acquired a reputation in science, arts,
or arms, so much the better; his _glory_ will be of much service to him;
if not, he must make it up by his conversation.
In consequence of the predilection of the French for social intercourse
of this kind, it is, that knowledge of such kinds, and to such an
extent, as can be easily introduced into conversation, is very general;
that the opportunities of such intercourse are carefully multiplied;
that all arts which can add to the attractions of such scenes are
assiduously improved; that liveliness of disposition is prized beyond
all other qualities, while those eccentricities of manner, which seem to
form a component part of what we call humorous characters, are excluded;
that even childish amusements are preferred to solitary occupations;
that taste is cultivated more than morality, wit esteemed more than
wisdom, and vanity encouraged more than merit.
It is easy to trace the pernicious effects of a taste for society of
this kind, on individual character, when it is encouraged to such a
degree as to become a serious occupation, instead of a relaxation to the
mind. When the main object of a man's life is distinction among his
acquaintances, from his wit--his liveliness--his elegance of taste--his
powers of conversation--or even from the fame he may have earned by his
talents; he becomes careless about the love of thos
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