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f her mantle and appeared in her white gown _a l'antique_, which displayed all the warm fulness of her shape. "You are cold, perhaps," she said, "I will light the fire; it is already laid." She struck the flint and put a lighted match to the fire. Philippe took her in his arms with the gentleness that bespeaks strength, and she felt a strange, delicious thrill. She was already yielding beneath his kisses when she snatched herself from his arms, crying: "Let me be." Slowly she uncoiled her hair before the chimney-glass; then she looked mournfully at the ring she wore on the ring-finger of her left hand, a little silver ring on which the face of Marat, all worn and battered, could no longer be made out. She looked at it till the tears confused her sight, took it off softly and tossed it into the flames. Then, her face shining with tears and smiles, transfigured with tenderness and passion, she threw herself into Philippe's arms. The night was far advanced when the _citoyenne_ Blaise opened the outer door of the flat for her lover and whispered to him in the darkness: "Good-bye, sweetheart! It is the hour my father will be coming home. If you hear a noise on the stairs, go up quick to the higher floor and don't come down till all danger is over of your being seen. To have the street-door opened, give three raps on the _concierge's_ window. Good-bye, my life, good-bye, my soul!" The last dying embers were glowing on the hearth when Elodie, tired and happy, dropped her head on the pillow. THE END End of the Project Gutenberg EBook of The Gods are Athirst, by Anatole France *** END OF THIS PROJECT GUTENBERG EBOOK THE GODS ARE ATHIRST *** ***** This file should be named 24010.txt or 24010.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/4/0/1/24010/ Produced by R. Cedron, Camille Francois, Henry Craig and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the
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