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he end be paid back to you, no doubt, when you are worn out, and what you do is as worthless as the rustling canes that blow together in autumn by dull river sides: then you scrawl your signature across your soulless work, and it fetches thrice its weight in gold. But though you thus have your turn, and can laugh at your will at the world that you fool, what can that compensate you for all those dear dead darlings?--those bright first-fruits, those precious earliest nestlings of your genius, which had to be sold into bondage for a broken crust, which drifted away from you never to be found again, which you know well were a million fold better, fresher, stronger, higher, better than anything you have begotten since then; and yet in which none could be found to believe, only because you had not won that magic spell which lies in--being known? * * * When I think of the sweet sigh of the violin melodies through the white winter silence of Raffaelino's eager, dreamy eyes, misty with the student's unutterable sadness and delight; of old Ambrogio, with his semicircle of children round him, lifting their fresh voices at his word; of the little robin that came every day upon the waterpipe, and listened, and thrilled in harmony, and ate joyfully the crumbs which the old maestro daily spared to it from his scanty meal--when I think of those hours, it seems to me that they must have been happiness too. "Could we but know when we are happy!" sighs some poet. As well might he write, "Could we but set the dewdrop with our diamonds! could we but stay the rainbow in our skies!" * * * Every old Italian city has this awe about it--holds close the past and moves the living to a curious sense that they are dead and in their graves are dreaming; for the old cities themselves have beheld so much perish around them, and yet have kept so firm a hold upon tradition and upon the supreme beauty of great arts, that those who wander there grow, as it were, bewildered, and know not which is life and which is death amongst them. * * * The sun was setting. Over the whole Valdarno there was everywhere a faint ethereal golden mist that rose from the water and the woods. The town floated on it as upon a lake; her spires, and domes, and towers, and palaces bathed at their base in its amber waves, and rising upward into the rose-hued radiance of the upper air. The mountains that
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