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great dam into froth, as they had done through seven centuries, since first, with reverent care, the builder had set the sacred statues there that they might bless the grinding of the corn. Sitting now in the silence of the tomb, Sanctis recalled that day, when, towards the setting of the sun, he had strolled there by the water-wheels of the twelve disciples, and allowed the fate of an unknown man, declared a criminal by impartial judges, to cloud over for him the radiance of evening on the willowy Serraglio and chase away his peaceful thoughts of Virgil. He remembered how the country people had come out by the bridge and glided away in their boats, and talked of the murder of Donna Aloysia; and how they had, one and all of them, said, going back over the lake water or along the reed-fringed roads, to their farmhouses, that there could be no manner of doubt about it--the lover had been moon-struck and mad with jealousy, and his dagger had found its way to her breast. They had not blamed him much, but they had never doubted his guilt; and the foreigner alone, standing by the mill gateway, and seeing the golden sun go down beyond the furthermost fields of reeds that grew blood-red as the waters grew, had thought to himself and said half aloud: "Poor Romeo! he is guiltless, even though the dagger were his"---- And a prior, black-robed, with broad looped-up black hat, who was also watching the sunset, breviary in hand, had smiled and said, "Nay, Romeo, banished to us, had no blood on his hand; but this Romeo, native of our city, has. Mantua will be not ill rid of Luitbrand d'Este." Then he again, in obstinacy and against all the priest's better knowledge as a Mantuan, had insisted and said, "The man is innocent." And the sun had gone down as he had spoken, and the priest had smiled--a smile cold as a dagger's blade--perhaps recalling sins confessed to him of love that had changed to hate, of fierce delight ending in as fierce a death-blow. Mantua in her day had seen so much alike of love and hate. "The man is innocent," he had said insisting, whilst the carmine light had glowed on the lagoons and bridges, and on the Lombard walls, and Gothic gables, and high bell-towers, and ducal palaces, and feudal fortresses of the city in whose street Crichton fell to the hired steel of bravoes. * * * She had the heaven-born faculty of observation of the poets, and she had that instinct of delight in n
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