ust always have that little stone of truth
as its kernel; and perhaps he who rejects all, is likelier to be wrong
than even foolish folk like myself who love to believe all, and who
tread the new paths, thinking ever of the ancient stories.
* * *
There can be hardly any life more lovely upon earth than that of a young
student of art in Rome. With the morning, to rise to the sound of
countless bells and of innumerable streams, and see the silver lines of
the snow new fallen on the mountains against the deep rose of the dawn,
and the shadows of the night steal away softly from off the city,
releasing, one by one, dome and spire, and cupola and roof, till all the
wide white wonder of the place discloses itself under the broad
brightness of full day; to go down into the dark cool streets, with the
pigeons fluttering in the fountains, and the sounds of the morning
chants coming from many a church door and convent window, and little
scholars and singing children going by with white clothes on, or scarlet
robes, as though walking forth from the canvas of Botticelli or
Garofalo; to eat frugally, sitting close by some shop of flowers and
birds, and watching all the while the humours and the pageants of the
streets by quaint corners, rich with sculptures of the Renaissance, and
spanned by arches of architects that builded for Agrippa, under grated
windows with arms of Frangipanni or Colonna, and pillars that
Apollodorus raised; to go into the great courts of palaces, murmurous
with the fall of water, and fresh with green leaves and golden fruit,
that rob the colossal statues of their gloom and gauntness, and thence
into the vast chambers where the greatest dreams that men have ever had,
are written on panel and on canvas, and the immensity and the silence of
them all are beautiful and eloquent with dead men's legacies to the
living, where the Hours and the Seasons frolic beside the Maries at the
Sepulchre, and Adonis bares his lovely limbs, in nowise ashamed because
S. Jerome and S. Mark are there; to study and muse, and wonder and be
still, and be full of the peace which passes all understanding, because
the earth is lovely as Adonis is, and life is yet unspent; to come out
of the sacred light, half golden, and half dusky, and full of many
blended colours, where the marbles and the pictures live, sole dwellers
in the deserted dwellings of princes; to come out where the oranges are
all aglow in the sunshine,
|