Her een sae bonnie blue betray
How she repays my passion;
But prudence is her o'erword ay,
She talks of rank and fashion.

IV.

O wha can prudence think upon,
And sic a lassie by him?
O wha can prudence think upon,
And sae in love as I am?

V.

How blest the humble cotter's fate![138]
He wooes his simple dearie;
The silly bogles, wealth and state,
Can never make them eerie.
O why should Fate sic pleasure have,
Life's dearest bands untwining?
Or why sae sweet a flower as love
Depend on Fortune's shining?

FOOTNOTES:

[Footnote 138: "The wild-wood Indian's Fate," in the original MS.]

* * * * *

CLXXXVI.

GALLA WATER.

["Galla Water" is an improved version of an earlier song by Burns: but
both songs owe some of their attractions to an older strain, which the
exquisite air has made popular over the world. It was written for
Thomson.]

I.

There's braw, braw lads on Yarrow braes,
That wander thro' the blooming heather;
But Yarrow braes nor Ettrick shaws
Can match the lads o' Galla Water.

II.

But there is ane, a secret ane,
Aboon them a' I lo'e him better;
And I'll be his, and he'll be mine,
The bonnie lad o' Galla Water.

III.

Altho' his daddie was nae laird,
And tho' I hae nae meikle tocher;
Yet rich in kindest, truest love,
We'll tent our flocks by Galla Water.

IV.

It ne'er was wealth, it ne'er was wealth,
That coft contentment, peace, or pleasure;
The bands and bliss o' mutual love,
O that's the chiefest warld's treasure!

* * * * *

CLXXXVII.

LORD GREGORY.

[Dr. Wolcot wrote a Lord Gregory for Thomson's collection, in
imitation of which Burns wrote his, and the Englishman complained,
with an oath, that the Scotchman sought to rob him of the merit of his
composition. Wolcot's song was, indeed, written first, but they are
both but imitations of that most exquisite old ballad, "Fair Annie of
Lochryan," which neither Wolcot nor Burns valued as it deserved: it
far surpasses both their songs.]

I.

O mirk, mirk is this midnight hour,
And loud the tempest's roar;
A waefu' wanderer seeks thy tow'r,
Lord Gregory, ope thy door!

II.

An exile frae her father's ha',
And a' for lovin