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Project Gutenberg's Guy Rivers: A Tale of Georgia, by William Gilmore Simms This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Guy Rivers: A Tale of Georgia Author: William Gilmore Simms Release Date: July 15, 2005 [EBook #16303] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK GUY RIVERS: A TALE OF GEORGIA *** Produced by Charles Aldarondo, Keren Vergon, Lynn Bornath and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: Frontispiece.] GUY RIVERS: A TALE OF GEORGIA. BY W. GILMORE SIMMS, AUTHOR OF "THE YEMASSEE," "THE PARTISAN," "MELLICHAMPE," "KATHARINE WALTON," "THE SCOUT," "WOODCRAFT," ETC. "Who wants A sequel may read on. Th' unvarnished tale That follows will supply the place of one." ROGERS' _Italy_. New and Revised Edition. CHICAGO: DONOHUE, HENNEBERRY & CO. 407-425 DEARBORN STREET 1890 PRINTED AND BOUND BY DONOHUE & HENNEBERRY CHICAGO. GUY RIVERS CHAPTER I. THE STERILE PROSPECT AND THE LONELY TRAVELLER. Our scene lies in the upper part of the state of Georgia, a region at this time fruitful of dispute, as being within the Cherokee territories. The route to which we now address our attention, lies at nearly equal distances between the main trunk of the Chatahoochie and that branch of it which bears the name of the Chestatee, after a once formidable, but now almost forgotten tribe. Here, the wayfarer finds himself lost in a long reach of comparatively barren lands. The scene is kept from monotony, however, by the undulations of the earth, and by frequent hills which sometimes aspire to a more elevated title. The tract is garnished with a stunted growth, a dreary and seemingly half-withered shrubbery, broken occasionally by clumps of slender pines that raise their green tops abruptly, and as if out of place, against the sky. The entire aspect of the scene, if not absolutely blasted, wears at least a gloomy and discouraging expression, which saddens the soul of the most careless spectator. The ragged ranges of forest, almost untrodden by civilized man, the thin and feeble undergrowth, the unbroken silence,
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